0:00woman in car
A medium shot frames a woman in the driver's seat of a sleek grey SUV, looking upward and slightly to her left with a thoughtful or concerned expression. Her face is presented in a slight profile, illuminated by natural light that gently sculpts her features against the darker interior of the vehicle. The background, visible through the car window, is blurred, revealing hints of residential houses and lush green trees, suggesting a suburban setting. White text, 'WHAT', is overlaid in the upper left quadrant of the screen. The scene maintains a static composition, focusing intently on the woman's subtle reaction. The color palette is predominantly cool, with the muted tones of the car interior and exterior contrasting with the vibrant emerald green of the woman's top.
0:00white house on hill
This wide shot captures a charming, traditional white two-story house crowned with a dark grey shingled roof and a distinctive red brick chimney. The house is prominently situated on a gently sloping green hill, featuring multiple windows, a welcoming front porch with white railings, and an enclosed sunroom extending from its left side. The foreground shows a stone retaining wall and vibrant green grass, while mature trees with dense green foliage frame the house, extending into the background against a soft, overcast light grey sky. The lighting is diffused and even, typical of an overcast day, providing soft shadows. The camera executes a slow, deliberate pan downwards and slightly to the right, gradually revealing more of the house and its immediate surroundings. The dominant colors are the whites of the house, the lush greens of the landscape, and the muted greys of the sky and roof.
0:02sigourney weaver by lake
A medium shot features Sigourney Weaver, a Caucasian woman, standing confidently outdoors with a scenic lake and a quaint distant town serving as her backdrop. She faces the camera directly, exuding a sense of calm and knowing. She is impeccably dressed in a light beige blazer, worn over a stylish dark green blouse adorned with subtle polka dots, and accessorized with a striking long, multi-strand silver necklace. The background showcases tranquil waters dotted with several boats, with the charming outline of a town featuring small houses and numerous trees visible under a warm, soft sky, indicative of either late afternoon or early evening 'golden hour' lighting. The light is gentle and flattering, highlighting her features. Overlaying text appears, dynamically presenting phrases such as 'THEY CAN'T AFFORD THIS PLACE', 'I KNOW IT. THEY KNOW IT.', and 'BUT I'M GIVING THEM AN EDUCATION.' The camera remains static, allowing the viewer to absorb her confident delivery and the picturesque setting.
0:07couple looking at house
This medium-wide shot captures a Caucasian couple standing outdoors in a lush, green grassy area, their gazes directed towards a large, out-of-focus white house in the background. The woman, identified from earlier scenes, stands on the left, beaming with a wide smile, while the man on the right has his arm gently wrapped around her shoulder, sharing her happy expression and looking in the same direction. The scene is bathed in bright, natural daylight, suggesting a clear, pleasant day. The blurred white house provides depth without distracting from the couple. The word 'BUYING' is overlaid as text on the scene. The camera remains static, capturing this moment of shared contentment.
0:07sigourney weaver driving
A focused medium shot from inside a car centers on Sigourney Weaver, the Caucasian woman from previous scenes, as she occupies the driver's seat. Her head is turned slightly to her right, and she is actively speaking, a subtle, knowing smile playing on her lips. Her short, brown hair is neatly styled, and small gold stud earrings gleam subtly. The car's interior elements, including a dark headrest behind her, are visible, lending a sense of enclosure. Bright, natural light streams in, likely from the front or side windows, illuminating her face clearly. The word 'THAT'S' is displayed as an overlay. The camera remains static, maintaining an intimate focus on her engaging expression as she speaks.
0:08opening wine bottle
This close-up shot intensely focuses on a pair of hands expertly operating a corkscrew to open a dark green glass wine bottle. The hands, appearing to be female, are adorned with a distinctive, shiny gold cuff bracelet on the left wrist, catching the light. The background is intentionally blurred, featuring soft, reddish-brown tones that could suggest a tabletop or part of an outfit, ensuring the primary action remains in sharp focus. The lighting is soft and evenly distributed, highlighting the metallic gleam of the corkscrew and the texture of the bottle. The single word 'IS' is overlaid on the scene. The camera holds steady, emphasizing the precision of the action.
0:09sigourney weaver drinking in basement
A wide shot reveals Sigourney Weaver, the protagonist, seated alone in a dimly lit, rustic basement room, drinking directly from a dark bottle. She is slouched in a simple wooden chair, positioned beside a wooden workbench or shelf. The environment features rugged exposed stone walls and a section of warm brickwork, with various unassuming objects like a radio and boxes visible on the shelf. The primary illumination comes from strands of colorful string lights (resembling Christmas lights) draped across the shelf, casting a festive yet melancholic glow. The overall color palette is dark and moody, with warm highlights from the lights contrasting with cooler tones of the stone. The text 'IS A RECIPE FOR MISERY.' is overlaid. The camera remains static, capturing the scene's somber atmosphere.
0:10sigourney weaver driving with passenger
This medium shot, captured from inside a car, focuses on Sigourney Weaver in the driver's seat, looking directly at the camera with a serious, contemplative expression. To her right, in the passenger seat, sits the East Asian woman from earlier scenes, also looking forward and slightly out of frame. Sigourney Weaver is dressed in her familiar light beige blazer and green polka-dotted blouse. The car's interior details are visible, and outside the windows, a blurred background of residential houses and trees suggests the vehicle is in motion. The lighting is bright and natural, originating from the front, clearly illuminating the subjects. The text 'I SHOULD KNOW' is overlaid on the scene. The camera remains static, maintaining the intense gaze of the driver.
0:12sigourney weaver distressed indoors
A close-up, side-profile shot captures Sigourney Weaver, the Caucasian woman, indoors in a moment of emotional distress or deep contemplation. She is framed from the chest up, her head slightly bowed as she brings both hands up to completely cover her face, obscuring her eyes and forehead. She is wearing a light beige blazer. The background is soft and blurred, featuring warm, muted tones that suggest an intimate indoor setting with gentle, diffused lighting. The light source appears to be from the front-left, casting subtle, soft shadows that add depth to her posture. Text overlays dynamically appear, listing challenging financial obligations: 'RENTS, MORTGAGES, TUITIONS'. The camera is static, focusing on the raw emotion conveyed by her body language.
0:14sigourney weaver outdoors close up
This close-up shot features Sigourney Weaver, the Caucasian woman, outdoors, looking directly into the camera with a somber, slightly pained expression. Her short, brown hair is meticulously styled. She is wearing a textured, dark blue and green tweed-like coat with a defined collar, adding a touch of rustic sophistication. The background is softly blurred, showing lush green foliage and faint outlines of a white house, indicating a natural, perhaps rural or suburban, outdoor environment. The lighting is natural and gentle, softly illuminating her face and emphasizing her poignant expression. The overlaid text reads, 'IT'S A LOT TO ASK OF A SOBER PERSON'. The camera executes a slow, deliberate push-in towards her face, intensifying the emotional impact of her gaze and the scene's gravitas.
0:17couple looking at view with title
A medium shot beautifully frames an older Caucasian man and woman, Sigourney Weaver, standing affectionately close outdoors, both gazing off-frame to the right. The man stands behind the woman, his arm gently around her, creating a sense of warmth and intimacy. Both wear soft, contemplative smiles on their faces. The woman is dressed in a light blue puffer vest layered over a plaid shirt, while the man sports a blue plaid shirt. The background is brightly lit and artfully blurred, revealing a scenic vista of water, trees, and a distant white house, suggesting a picturesque coastal or lakeside setting bathed in bright sunshine. The lighting is warm and somewhat ethereal, imparting a soft glow. The title text, 'THE GOOD HOUSE', is prominently displayed in white, sans-serif font. The camera remains static, capturing this tender, reflective moment.
0:18release date text
This wide shot showcases bold, white sans-serif text, 'SEPTEMBER 30' positioned above 'ONLY IN THEATERS', both centrally aligned. The text is set against a soft, exquisitely blurred background depicting a serene body of water reflecting a light blue sky adorned with sparse, wispy clouds. This creates a tranquil and expansive visual atmosphere. A subtle, inverted reflection of the text is visible in the calm water below, adding an element of depth and visual interest. The lighting is bright and evenly distributed, ensuring the white text stands out prominently. The dominant color palette consists of cool blues and whites, enhancing the peaceful and ethereal mood. The camera remains static throughout this final informational scene.
