0:00color selection meeting
The scene opens with a medium shot from a slightly elevated perspective, looking over the shoulder of a person with dark hair. In the foreground, the back of a woman's dark green jacket is visible. A sophisticated, middle-aged woman with auburn hair, dressed in a stylish brown peplum top with front buttons, stands behind a large white table. She is actively engaged in reviewing and discussing numerous small, square color swatches spread across the tabletop. Her body is slightly angled towards the camera, and she is smiling faintly, gesturing with her right hand towards the swatches. Another person's back is partially visible to the left. The background is a clean, minimalistic white wall, contributing to a professional and focused atmosphere. Overhead lighting casts soft shadows, defining the contours of the people and the piles of swatches. The color palette is dominated by the earthy tones of the woman's clothing and the diverse, muted shades of the color samples, with white and dark green providing contrast. The Benjamin Moore logo and the text "Out of 3,500 colors," are overlaid in white on the screen.
0:01hands sifting swatches
This scene provides a tight overhead close-up of a white tabletop, focusing intensely on two pairs of hands interacting with numerous small, square color swatches. The hands, belonging to two different individuals, are meticulously sorting, sifting through, and arranging the diverse palette of color samples. The swatches are scattered across the pristine white surface, creating a vibrant yet organized mosaic of hues. One pair of hands has light skin and short, neat fingernails. The other pair of hands has slightly darker skin, with a gold bracelet on the left wrist and a wristwatch on the right. The action is deliberate and careful, highlighting the precision involved in color selection. Bright, even overhead lighting illuminates the scene, ensuring all colors are clearly visible and there are minimal distracting shadows. The background is entirely the clean white tabletop. The color palette is rich and varied, featuring a mix of earthy tones, cool blues, warm reds, and muted greens, all contributing to a sense of focused creativity. The text "we chose the one color to best represent 2026." is overlaid at the bottom of the screen.
0:02arranging color palette
This overhead medium close-up shot captures two pairs of hands meticulously arranging eight distinct square color swatches on a clean, white surface. The hands are seen placing and adjusting the swatches to form a graceful circular pattern in the center of the frame, with a ninth, darker swatch placed just outside the circle. The overall composition is neat and deliberate, emphasizing the selection process. The swatches are of various sizes, but all are square, showcasing a refined palette. Bright, even overhead lighting ensures excellent visibility of each color and texture, with no harsh shadows. The background remains a pristine white, allowing the colors to stand out prominently. The chosen colors include soft blues, muted terracotta, beige, pale pink, a darker slate grey, a deep teal, a subtle green, and a warm golden brown. The careful arrangement suggests an artistic and thoughtful approach to color curation. The text "we chose the one color to best represent 2026." is overlaid at the bottom of the screen.
0:03stirring paint
This extreme close-up shot plunges into a metal paint can, revealing the rich, thick texture of a dark grey paint. A natural-bristle paintbrush is submerged in the paint, actively stirring it. The movement of the brush creates swirling patterns and ripples on the paint's surface, showcasing its creamy consistency and depth of color. The metallic rim of the paint can is visible at the top of the frame, providing a sharp, industrial contrast to the organic flow of the paint. The lighting is soft and diffused, creating subtle highlights and reflections on the wet paint, emphasizing its luxurious quality. The background is undefined, as the shot focuses entirely within the paint can. The dominant color is a sophisticated, deep charcoal grey, almost verging on dark brown, conveying a sense of elegance and modernity. The movement is smooth and deliberate, highlighting the readiness of the paint. The text "we chose the one color to best represent 2026." is overlaid at the bottom of the screen.
0:05painting wall initial
The scene presents a close-up view of a wall section being painted. A hand, holding a wooden-handled paintbrush, applies a fresh stroke of dark grey paint horizontally across a light grey surface. The existing wall has subtle horizontal textures or lines, which become more pronounced as the new paint is applied. The brush glides smoothly, leaving behind a rich, opaque layer of the new color. Above and below the painted area, dark grey trim or molding is visible, suggesting a transition zone or architectural detail. The lighting is soft and even, highlighting the texture of the paint and the subtle variations in the wall's surface. The background is entirely the wall being painted. The primary colors are the evolving shades of grey, from the lighter base to the deeper, newly applied dark charcoal grey. The action is a precise, steady motion of painting, conveying a sense of transformation and refinement. The text "Introducing Benjamin Moore's Color of the Year 2026, Silhouette AF-655," is overlaid at the bottom of the screen.
0:06painting wall reveal
This close-up shot continues to feature a hand expertly painting a wall with a deep, sophisticated shade of dark grey. The camera remains focused on the painting process, as the brush moves across the textured surface, meticulously covering the lighter base color. The horizontal strokes of the brush are visible, adding to the visual texture of the freshly painted wall. Above and below the main painted area, dark grey architectural molding is clearly defined, suggesting a complete and intentional design. As the painting progresses, white text and the Benjamin Moore logo subtly emerge, overlaid on the painted surface, introducing the "Color of the Year 2026, Silhouette AF-655." The lighting is consistently soft and even, highlighting the rich pigment of the paint and the clean lines of the molding. The background is entirely composed of the wall surface. The dominant color is the elegant, deep charcoal grey, establishing a strong and contemporary aesthetic. The text "Introducing Benjamin Moore's Color of the Year 2026, Silhouette AF-655," is overlaid at the bottom of the screen, consistent with the visual.
0:12blazer on mannequin
The scene presents a dramatic medium shot of a headless mannequin, dressed in a sharply tailored dark grey or black blazer. The blazer features intricate white stitching, highlighting the garment's structure and design details, particularly around the lapels and seams. The mannequin itself is dark, almost blending into the background, with a small wooden cap on its neck. It stands against a dark, paneled wall, which is illuminated by a strong, directional beam of sunlight. This lighting creates striking diagonal shadows across the wall's texture and the blazer, adding depth and a sophisticated, almost mysterious atmosphere. The background is minimalist, focusing entirely on the jacket and the interplay of light and shadow on the dark wall paneling. The color palette is dominated by deep charcoal greys and blacks, contrasted sharply by the bright white stitching and the golden glow of the sunbeam. The overall mood is one of refined elegance and subtle drama. The text "weaving rich espresso hues with refined notes of charcoal." is overlaid at the bottom of the screen.
0:13wall of design swatches
This medium shot features a wall covered in a curated assortment of fabric swatches, material samples, and small printed images, all pinned neatly to a light-colored surface. The camera performs a slow, deliberate pan from left to right, allowing the viewer to absorb the variety of textures and patterns. Among the samples, a small framed picture of the blazer from the previous scene on a mannequin is prominently displayed, acting as a visual anchor. The fabric swatches range from textured weaves to smooth plains, in a harmonious palette of neutral and earthy tones, including beiges, browns, greys, and blacks. Some patterns are subtle, while others are more pronounced, like a dark herringbone or a light woven texture. The overall impression is that of a design studio or mood board, showcasing material inspirations. Soft, diffused lighting evenly illuminates the wall, minimizing shadows and ensuring clarity of every detail. The background is the white wall, completely covered by the samples. The text "weaving rich espresso hues with refined notes of charcoal." is overlaid at the bottom of the screen.
0:14hand placing swatches on table
The scene presents an overhead medium shot of a white tabletop meticulously arranged with a vast collection of design samples, including various fabric swatches, tiles, wood samples, and paint chips. The camera slowly pans across this richly textured surface. A human hand enters the frame from the left, with light skin and a gold bracelet on the wrist. The hand carefully picks up a small, rectangular fabric swatch, examining it briefly before placing it deliberately among a group of other samples in the lower right quadrant of the table. The samples are arranged in a grid-like fashion, showcasing a harmonious blend of textures and patterns. Bright, even overhead lighting ensures every detail, from the weave of the fabric to the grain of the wood, is clearly visible without harsh shadows. The background is the expansive white tabletop. The color palette is rich in earthy and neutral tones, featuring various shades of browns, greys, creams, and subtle blues and greens, creating a sophisticated and natural aesthetic. The text "weaving rich espresso hues with refined notes of charcoal." is overlaid at the bottom of the screen.
0:16flat lay silhouette palette
This overhead close-up presents a carefully curated flat lay composition on a dark grey-brown background. Various material samples are artfully arranged around a central white circular frame, which encloses the text "Silhouette AF-655". The samples include a dark, textured woven fabric, a piece of dark marble-like material, a smooth solid dark grey swatch, a natural woven pattern in beige and brown, and a patterned fabric with organic, abstract shapes in lighter brown and cream tones. To the left, a decorative tile with geometric patterns in black, white, and grey adds visual interest. A small dark drawer pull or handle is also included. The lighting is soft and even, highlighting the different textures and the subtle variations in the dark color palette. The background itself is a solid, rich dark grey-brown. The overall color palette is elegant and sophisticated, dominated by shades of charcoal, espresso, and deep brown, accented by creams and muted patterns.
0:17flat lay southwest pottery
This overhead close-up shot displays another meticulously arranged flat lay composition, this time on a dusty rose-colored background. At the center, a white circular frame prominently features the text "Southwest Pottery 048". Surrounding this central element are various material samples chosen to complement the dominant hue. These include several fabric swatches: one with a bold, repeating geometric pattern in dark red and cream, another with a subtle, textured weave in dusty rose, and a hexagonal quilted velvet fabric in a rich terracotta. A decorative tile sample with linear patterns in various shades of pink, cream, and beige adds a structured element. A smooth, pale pink solid swatch and a deep reddish-brown fabric swatch complete the arrangement. The lighting is soft and even, enhancing the tactile qualities of the fabrics and the subtle sheen of the tiles. The background is a solid, warm dusty rose, unifying the entire palette. The overall impression is one of earthy warmth and subtle sophistication.
0:18flat lay batik
The scene is an overhead close-up, showcasing a flat lay arrangement on a soft, pale lavender-pink background. Centered in the composition is a white circular frame with the text "Batik AF-610". Surrounding this focal point are an array of complementary material samples. These include various fabric swatches: a delicate light pink fabric with a subtle stripe, a patterned cream and pale pink fabric with a floral motif, a textured solid pale pink, and a rich, deeper pink linen-like fabric. A paintbrush with pale pink bristles and a light wooden handle is also carefully placed. Additionally, a light beige woven rug sample and a patterned cream and brown fabric swatch are included. The lighting is soft and even, beautifully highlighting the subtle textures and delicate color variations of each item. The background is a consistent, gentle pale lavender-pink, creating a cohesive and serene aesthetic. The overall palette is soft, feminine, and understated.
0:19flat lay narragansett green
This overhead close-up shot presents a flat lay composition on a deep teal-green background. Centered is a white circular frame displaying the text "Narragansett Green HC-157". Surrounding this are carefully selected material samples that complement the rich, cool dominant color. These include a deep teal ribbed velvet fabric, a variegated blue-grey marble-like tile, a plain solid grey swatch, and another deep teal fabric with a subtle texture. A dark geometric patterned fabric in navy and cream adds a contrasting element. Also included are a textured fabric with a geometric design in blue and white, and a darker blue ribbed fabric. The lighting is soft and even, emphasizing the luxurious textures and the depth of the cool color palette. The background is a consistent, rich deep teal, providing a unified and sophisticated foundation for the arrangement. The overall aesthetic is one of calm, depth, and refined elegance, utilizing cool, natural tones.
0:20flat lay raindance
The scene is an overhead close-up of a meticulously arranged flat lay on a muted light green background. A white circular frame in the center proudly displays the text "Raindance 1572". Surrounding this are various material samples that harmonize with the gentle, fresh green hue. These include a light grey-green textured fabric with subtle stripes, a lighter grey fabric with a woven texture, and two fluffy pom-pom-like green tassels. A piece of textured off-white material with a subtle pattern and a light green fabric are also present. To the bottom, a long, slender piece of polished deep green marble adds a touch of natural elegance. A cream and grey geometric patterned fabric swatch completes the arrangement. The lighting is soft and even, accentuating the natural textures and the serene quality of the color palette. The background is a solid, calming light green, creating a unified and refreshing visual.
0:21flat lay first crush
This overhead close-up shot presents a flat lay composition on a very pale, almost off-white pink background. At its center is a white circular frame, featuring the text "First Crush CSP-310". Surrounding this are various material samples carefully selected to complement the subtle and delicate color. These include a soft, flowing pale pink sheer fabric, a more textured pale pink fabric with a slight weave, and another light pink fabric swatch. A piece of white rectangular tile with subtle geometric patterns and a light beige woven rug sample are also integrated into the composition. All elements contribute to a light, airy, and gentle aesthetic. The lighting is bright and even, softly illuminating the delicate textures and highlighting the nuanced shades of pink and off-white. The background is a consistent, very light, almost imperceptible pale pink, enhancing the overall ethereal and understated elegance of the palette.
0:22flat lay sherwood tan
The scene is an overhead close-up, showcasing a meticulously arranged flat lay composition on a warm, medium tan background. Centered in the frame is a white circular frame with the text "Sherwood Tan 1054". Surrounding this focal point are an array of complementary material samples. These include a rough-textured woven fabric in natural beige and brown tones, a smoother solid tan fabric swatch, and a subtly striped cream and tan fabric. A piece of white tile or material, a dark brown leather strap with a metallic buckle, and a patterned fabric with organic leopard-like spots in brown and cream are also included. The lighting is soft and even, beautifully emphasizing the natural textures and the warmth of the color palette. The background is a consistent, inviting medium tan, creating a cohesive and earthy aesthetic. The overall impression is one of natural comfort and understated sophistication, drawing on organic hues and textures.
0:23flat lay swiss coffee
This overhead close-up shot presents a minimalist flat lay composition on a pristine white background. At the center, a white circular frame prominently features the text "Swiss Coffee OC-45". Surrounding this central element are various material samples, all chosen within a very subtle, almost monochromatic palette of whites, creams, and very pale beiges. These include several delicate fabric swatches with intricate lace-like patterns, textured weaves, and smooth plains. A white woven rug sample and a plain off-white fabric swatch are also visible. The absence of strong colors emphasizes texture and light. The lighting is bright and even, highlighting the subtle nuances of white and off-white, and casting minimal, soft shadows that define the forms and textures. The background is a pure, clean white, providing a stark and elegant canvas. The overall aesthetic is one of serene purity, simplicity, and understated luxury, celebrating the beauty of subtle variations in white.
0:24design inspiration board
The scene is an overhead close-up, showcasing a flat lay arrangement dominated by a small, glossy photographic print. The print depicts a dark grey paneled wall adorned with several framed artworks, reminiscent of a gallery setting. This image is surrounded by an assortment of fabric swatches and larger solid color samples, suggesting a mood board or design inspiration. The fabric swatches feature various textures and patterns in dark greys, deep browns, and some lighter creams and patterns. A dark, tweed-like fabric is visible in the foreground, providing texture. The lighting is soft and diffused, allowing details of the print and the textures of the swatches to be clearly visible. The background is primarily covered by these samples, with glimpses of a neutral underlying surface. The color palette is rich in dark, sophisticated neutrals, punctuated by the artistic colors within the framed images. The text "We invite you to try on Silhouette," is overlaid at the bottom of the screen.
0:25silhouette color of the year display
This final scene presents a striking medium wide shot of a room's interior wall, meticulously adorned with dark grey wall paneling. The paneling features a classic, symmetrical design with recessed squares and vertical lines, creating a sophisticated and architectural backdrop. Leaning against this wall are several framed artworks of varying sizes and styles. Prominently featured are a large, ornate golden frame, a canvas with a light green painting of hydrangeas, and a modern white-framed abstract piece. Smaller paintings with muted landscapes and abstracts are also scattered around. Central to the composition, overlaid in crisp white text, are the "Benjamin Moore" logo, "Color of the Year 2026," and "Silhouette AF-655." The lighting is dramatic and artful, with soft highlights catching the edges of the paneling and frames, creating a rich, moody atmosphere. The background is entirely the paneled wall and the artworks. The dominant color is the deep, elegant charcoal grey of the wall, complemented by the warm golds of the frames and the subdued natural hues of the paintings. The text "We invite you to try on Silhouette, and the rest of the Color Trends 2026 palette." is overlaid at the bottom of the screen.
