0:00exterior kennedy center wide A wide, low-angle shot captures the modern, minimalist white facade of The John F. Kennedy Center for the Performing Arts under a bright, overcast sky. The building features tall, golden-hued columnar structures supporting a long, flat roof that extends outward. To the left, a lush green tree provides natural contrast. A black sedan is parked near the entrance, and a lone figure in a dark suit stands beside it. The overall color palette is muted, with whites, grays, and the warm gold of the columns. White text overlay at the bottom reads: 'Come with me to the Kennedy Center for the first media preview'. The camera is static.
0:02interior jfk banner pan up A vertical panning shot moves upwards, starting from a large banner displaying a black and white portrait of President John F. Kennedy, advertising 'A New Permanent Exhibit: Art and Ideals: President John F. Kennedy'. The banner is positioned against a floor-to-ceiling glass wall with vertical black mullions, allowing a glimpse of the building's interior. As the camera pans up, it reveals more of the glass facade and then transitions to the bright white ceiling with recessed lighting. The dominant colors are white, black, and the golden-brown of the structural columns. White text overlay at the bottom continues: 'of a new permanent exhibit on President John F Kennedy'.
0:03elevator doors closing A close-up shot focuses on the center seam of two shiny, reflective metallic elevator doors as they slowly close, meeting in the middle. The surface reflects warm, indistinct lighting, suggesting an interior environment. The doors are a muted bronze or gold color, giving a sense of sleek modernity. There are no characters visible, and the camera is static. The overall mood is quiet anticipation. No text overlay.
0:04atrium exhibit setup A wide interior shot of a spacious, well-lit atrium, showing a large screen at the back displaying a portrait of President John F. Kennedy and the exhibition title 'ART AND IDEALS: PRESIDENT JOHN F. KENNEDY' in gold lettering. In the foreground and midground, numerous rows of empty, gold-framed chairs with white cushions are neatly arranged, suggesting an event is about to begin or has just concluded. Several people are visible, mostly in business casual attire, walking around or standing. The walls are a mix of white and dark gray. The lighting is bright and even, casting soft shadows. White text overlay at the bottom continues: 'of a new permanent exhibit on President John F Kennedy'. The camera is static.
0:05president rutter speaking A medium wide shot shows a woman, identified as Kennedy Center President Deborah Rutter, standing at a podium with a microphone, addressing an audience. She is positioned to the right of the frame, wearing a light-colored dress and glasses. Her expression appears professional and engaging. Behind her, bright daylight streams through large windows, and more rows of attendees are visible, seated in the elegant gold-framed chairs. Two tall, golden columns flank the space. The overall lighting is bright and natural, creating a formal yet inviting atmosphere. White text overlay at the bottom reads: 'To help kick things off, we had remarks from Kennedy Center President Deborah Rutter'. The camera is static.
0:08audience listening An over-the-shoulder shot captures the backs of an audience seated in neat rows of gold-framed chairs with white cushions. The camera is positioned slightly above and behind the audience, looking towards the front of the venue, which is brightly lit by natural light from large windows. The attendees are mostly adults, dressed in a variety of business casual attire, with various hair colors and styles visible from behind. The floor is a polished wooden surface. The focus is on the collective presence of the audience, with no specific individual highlighted. White text overlay at the bottom continues: 'and Chairman David Rubenstein'. The camera is static.
0:10jfk portrait screen closeup A close-up shot focuses on a large digital screen displaying a painterly portrait of President John F. Kennedy. He is depicted in a dark suit, with a contemplative expression, his hand gently touching his chin. Below the portrait, the exhibition title 'ART AND IDEALS: PRESIDENT JOHN F. KENNEDY' is prominently displayed in gold lettering against a black background. The screen is framed by dark wall panels. The lighting emphasizes the screen's glow. White text overlay at the bottom continues: 'Second Gentleman Douglas Emhoff'. The camera is static.
0:11rose kennedy schlossberg speaking A medium close-up shot of a young woman, Rose Kennedy Schlossberg, speaking into a microphone. She has dark, curly hair and is wearing a dark blazer over a white shirt. Her expression is focused and calm. The background is dimly lit and indistinct, suggesting a stage or presentation area, with some subtle patterns or textures. The lighting is soft but highlights her face. White text overlay at the bottom reads: 'Rose Kennedy Schlossberg'. The camera is static.
0:12yo yo ma playing cello A medium shot of cellist Yo-Yo Ma, a middle-aged Asian man with glasses, playing his cello. He is wearing a dark suit with a light blue patterned tie and a white shirt. His expression is serene and focused on his music. The background is dark and subtly lit with horizontal red accents, providing a minimalist backdrop that keeps the focus on him and his instrument. The lighting is warm and highlights his face and the cello. White text overlay at the bottom reads: 'and Artistic Advisor Yo-Yo Ma'. The camera is static.
A medium wide shot captures a panel discussion in progress, with five individuals seated on stage in front of the large digital screen displaying President John F. Kennedy's portrait and the exhibit title. The panelists are diverse in age and ethnicity, dressed in business attire, actively engaged in conversation and gestures. The audience is partially visible in the foreground, seated with their backs to the camera. The setting is a modern conference or event space with dark walls and good overhead lighting. White text overlay at the bottom reads: 'Plus a panel with the talented team who helped bring this exhibit to life'. The camera is static.
0:18walking through exhibit hall A handheld POV shot follows two men from behind as they walk through a dimly lit modern exhibition hall. The ceiling features a dark, gridded design with recessed lighting. On the left wall, illuminated display cases and text such as 'Art and Social Change' are visible. The floor is a dark, reflective surface. Other visitors can be seen in the distance. The overall color palette is dark with illuminated accents. White text overlay at the bottom reads: 'Then, we got to explore!' The camera is handheld, giving a slightly natural, unstabilized feel.
0:20art and white house display A medium shot captures two women standing in front of a brightly lit exhibit display. Above them, large, luminous blue letters spell out 'Art and The White House' against a dark wall. One woman, wearing an orange top and dark pants, is speaking to another woman in a cream-colored top and light-colored pants. They appear engaged in conversation, with pleasant expressions. The background is dark, with subtle textures and reflections. The lighting is focused on the text and the subjects. White text overlay at the bottom reads: 'The exhibit, titled "Art and Ideals"'. The camera is static.
0:22jazz ambassadors display pan up A low-angle shot pans slowly upwards along an exhibit wall, which is dark with vertical panels. Several framed images and textual displays are visible. A prominent neon-red sign on the wall reads: 'Jazz is a door opener everywhere, a Pandora's Box of friendliness totalitarians won't easily be able to close. - Willie Clark Colquitt Jr.' Below it are framed black and white photographs. A man is visible at the bottom right, looking up at the displays. The lighting is atmospheric, with glowing text and spotlights on the art. White text overlay at the bottom continues: 'is an incredible, modern reinvention of the Atrium space'. The camera slowly pans upwards.
0:24jfk historical photos A medium shot displays a section of the exhibit wall covered with framed black and white photographs and textual descriptions. A large, prominent photo shows a young John F. Kennedy in a military uniform, standing casually. Other smaller photos depict groups of people and historical events related to his life. Adjacent text panels provide detailed information. The wall is dark, contrasting with the bright white borders of the frames. People are visible in the foreground, walking past or observing. The lighting is even and designed to illuminate the displays. White text overlay at the bottom reads: 'exploring President John F. Kennedy and his connection to the arts'. The camera is static.
0:27art and democracy display A medium shot focuses on a bright yellow wall panel with black text, prominently displaying 'ART AND DEMOCRACY'. Adjacent to it, framed black and white photographs show images of historical events and individuals related to art and civil rights. Two women are seen from behind, standing in front of this display, seemingly reading the information. The wall is dark on either side of the yellow panel. The lighting is bright on the yellow panel and images, creating a focal point. White text overlay at the bottom continues: 'and his connection to the arts'. The camera is static.
0:29interactive table approach A medium shot captures a group of people walking through the exhibition space, moving past a distinctive circular interactive table. The table's surface glows with vibrant purple light, emanating from embedded touchscreens or projections. On the dark walls in the background, numerous framed artworks and text panels create a rich visual environment. The floor is a light, reflective material. The lighting is dim overhead, highlighting the glowing table and exhibits. White text overlay at the bottom reads: 'Some of the interactive highlights include the'. The camera is static.
0:31interactive dinner table A medium close-up shot focuses on a circular interactive table with a glowing purple surface. Several recessed 'plates' act as touchscreens. A person's hand, wearing a dark sleeve, reaches out to press one of these plates, causing a light-purple ring to expand on the table surface. Images and text about various figures, connected by glowing lines, are projected onto the table. The background shows blurred figures of other attendees and dark exhibit walls. The lighting is predominantly the glowing purple from the table. White text overlay at the bottom reads: 'Dinner at the White House table, where you can use these neat little touch screen plates to learn about the figures who attended Kennedy dinners and think about which guests you might invite today.' The camera is static.
0:37power of words mirrored wall A medium shot captures a man in a mask, holding a smartphone, standing in front of a large, mirrored wall that displays dynamic white text. The text, which appears to be a quote from a Kennedy speech, is initially 'WHAT FREEDOM ALONE CAN BRING IS THE LIBERATION OF THE HUMAN MIND AND SPIRIT WHICH FINDS ITS GREATEST FLOWERING IN THE FREE SOCIETY.' The words are large and striking, reflecting the viewer and other parts of the exhibit space. Other people are visible, some blurred, in the background. The lighting is dim overall, with the glowing text providing the main illumination. White text overlay at the bottom reads: 'The Power of Words is this really cool mirrored wall that arranges words from landmark Kennedy speeches into these super striking full quotes as you approach.' The camera is static.
0:46dynamic portraiture woman A medium shot focuses on a woman, seen from behind and side, interacting with a tall, vertical touchscreen display. She has long, wavy brown hair and is wearing a white dress. With her right index finger, she touches the screen, which displays a digital art interface for creating a portrait. The screen shows a stylized face and various color palette options, one of which she is selecting. The background features other exhibit displays and ambient lighting. The lighting from the screen illuminates her hand and the immediate area. White text overlay at the bottom reads: 'And the Dynamic Portraiture lets you make a really cool self-portrait'. The camera is static.
0:53dynamic portraiture man A medium shot captures a man in a dark suit with light brown, curly hair, interacting with a vertical touchscreen display. He actively uses his finger to draw on the screen, shaping brushstrokes for a digital portrait. The screen transitions to show a completed, expressionist-style portrait of a man, resembling JFK, in shades of gray, black, and white. Towards the end of the scene, he uses his phone to scan a QR code displayed on the screen. The background shows more exhibit displays and a person walking by. The lighting is primarily from the screen, illuminating the man and the artwork. White text overlay at the bottom reads: 'using this touch screen technology to shape the brushstrokes and is inspired by Elaine de Kooning's expressionist portrait of JFK (and yes, you can download it with a QR code)'. The camera is static.
1:01jfk book collection display A close-up shot begins with a display case featuring several books, mostly paperbacks, laid flat. Titles like 'THE STRATEGY OF PEACE' and 'JOHN F. KENNEDY' are clearly visible on the covers. The camera then slowly pans from right to left, revealing a longer array of similar books, each with distinct covers in various colors (yellow, green, orange, white), all related to John F. Kennedy's life and legacy. The display case has a subtle blue tint, and the books are brightly lit. The background is blurred, showing hints of the exhibit space. White text overlay at the bottom reads: 'And all of it's woven together with these really fascinating collections and historical snapshots of Kennedy's life'. The camera pans smoothly.
1:06360 degree screen abstract An upward-panning shot reveals a long, curved 360-degree screen mounted high above the exhibit space. The screen displays vibrant red and white animated patterns, resembling abstract floral or snowflake designs, constantly shifting and moving. The ceiling is dark with scattered recessed spotlights. Below the screen, the dark exhibit walls are visible. The overall mood is immersive and dynamic due to the motion graphics. White text overlay at the bottom reads: 'and influence aided by this awesome 360-degree screen that spans'. The camera pans upwards.
1:10360 degree screen historical A medium wide shot, panning slowly to the right, showcases the long, curved 360-degree screen mounted high in the exhibit space. This time, the screen displays historical black and white footage and images, including scenes of large crowds gathered outdoors and formal events with many people. The content on the screen flows seamlessly, creating an immersive historical narrative. People are visible walking below in the dimly lit exhibit hall. The ceiling is dark with spotlights. White text overlay at the bottom reads: 'the entire space. The exhibit is free and opens to the public September 17th at noon remaining open from noon until midnight every day.' The camera pans slowly.
1:17power of words full quote A medium shot shows a man in a white mask, holding a phone, standing in front of the mirrored wall again. The wall now displays a full quote in large, bold white letters: 'WE MUST NEVER FORGET THAT ART IS NOT A FORM OF PROPAGANDA, IT IS A FORM OF TRUTH.' The text fills a significant portion of the frame, reflecting the man and other background elements. Other attendees are visible, some blurred, exploring the exhibit. The lighting comes from the glowing text, creating a dramatic atmosphere. White text overlay at the bottom reads: 'I've been at the Kennedy Center for a while, and I've never seen us explore our namesake's legacy with such a unique and interactive approach, so it's definitely worth a trip'. The camera is static.
1:25civil rights exhibit man A medium close-up shot of a man in a dark suit, with short, curly light-brown hair, looking intently at a framed exhibit panel on a dark wall. The panel features an image of the Statue of Liberty in a historical context and text describing 'Civil Rights and Citizen Artists.' To the right, another framed poster with a large image of a woman's face and text 'La Isla del SOL' is visible. The man's expression is focused and contemplative. The lighting is soft but effectively highlights the exhibit panels. White text overlay at the bottom reads: 'or a detour during your next visit for a show. Hope to see you soon!'. The camera is static.
