0:00intro title card
The scene displays a simple title card on a solid black background. White, sans-serif text is centered on the screen, reading 'KENNETH COLE PRESENTS' in a smaller font, followed by 'the cast of Broadway's' in an even smaller font, and finally 'LIBERATION' in large, bold capital letters. The lighting is stark, illuminating only the white text against the deep black, creating a high contrast and serious tone. There are no actions or camera movements. The overall color palette is monochromatic black and white, conveying a classic and formal aesthetic.
0:02kayla davion intro
A black and white medium shot frames a woman, Kayla Davion, from the chest up, facing directly towards the camera. She holds a small, black lavalier microphone close to her mouth with her right hand. The background consists of modern, light-colored padded wall panels, creating a textured but neutral setting. Soft, even lighting illuminates her face and upper body, with subtle shadows defining her features. She has a pleasant, engaging expression. White text overlays appear on the upper left, identifying her as 'KAYLA DAVION' and below, in quotation marks, '“Joanne”'.
0:03audrey corsa intro
The scene is a black and white medium shot, featuring Audrey Corsa from the chest up, looking directly at the camera. She holds a small, black lavalier microphone in her right hand, near her chin. The background is identical to the previous scene: light-colored, modern padded wall panels. The lighting is soft and frontal, minimizing harsh shadows and providing a clean, professional look. Text overlays in the upper left corner identify her as 'AUDREY CORSA' and '“Dora”'.
0:05kristolyn lloyd intro
This black and white medium shot shows Kristolyn Lloyd from the chest up, looking directly into the camera. She holds a small, black lavalier microphone with her right hand, positioned near her chin. The background consists of the same light-colored, modern padded wall panels. The lighting is soft and even, highlighting her facial features. Text overlays in the upper left corner display her name, 'KRISTOLYN LLOYD', and her character, '“Celeste”'.
0:07adina verson intro
In this black and white medium shot, Adina Verson is framed from the chest up, addressing the camera. She holds a small, black lavalier microphone in her right hand, just below her chin. The background features the consistent light-colored, modern padded wall panels. Soft, direct lighting emphasizes her face and distinctive glasses. White text overlays in the upper left identify her as 'ADINA VERSON' and '“Susan”'.
0:09susannah flood intro
A black and white medium shot shows Susannah Flood from the chest up, looking directly at the camera. She uses her right hand to hold a small, black lavalier microphone near her chin. The background maintains the light-colored, modern padded wall panels seen in previous shots. Gentle, frontal lighting illuminates her features, creating a soft focus. Text overlays in the upper left corner identify her as 'SUSANNAH FLOOD' and '“Lizzie”'.
0:10irene sofia lucio intro
This black and white medium shot features Irene Sofia Lucio from the chest up, addressing the camera. She holds a small, black lavalier microphone in her right hand, near her chin. The background is consistent with the other interviewees: light-colored, modern padded wall panels. Soft, direct lighting highlights her features. Text overlays in the upper left corner display her name, 'IRENE SOFIA LUCIO', and her character, '“Isidora”'.
0:11adina verson reflection
Adina Verson is captured in a black and white medium shot, speaking directly to the camera with an earnest expression. She gestures subtly with her left hand while holding a small black microphone in her right. The background remains the neutral, textured padded wall. Text overlays appear sequentially in the upper center of the frame, stating: 'Working on this play', 'has made me realize', 'how much previous', and 'generations of feminists'. The soft lighting highlights her animated facial expressions as she delivers her message.
0:17campaign posters wall
The scene presents a black and white, slightly tilted view of two different posters affixed to a white, possibly plaster, wall with tape. The upper poster, oriented vertically, features large, bold text reading 'Purposeful Voices LIBERATION' and 'Campaign Concept (10/10/25) KENNETH CO'. The lower, horizontally oriented poster, displays a group of diverse women standing in a line, partially obscured by the frame, with the text 'MORE STEPS BACK' and 'SUPPORT EQUALITY'. A smaller paper, also pinned, shows additional text about message profundity. The lighting is bright and even, casting minimal shadows and emphasizing the stark black and white graphics of the posters. The composition suggests a behind-the-scenes look at a campaign concept board.
0:19adina verson studio shot
A wide, low-angle, black and white shot captures Adina Verson standing centered in a professional studio setting, with a seamless white background that extends from the floor to the wall. In the immediate foreground, a professional video camera on a tripod faces her, with its screen displaying a live, framed view of Verson. Studio lights on stands are visible on either side of the subject, creating soft, diffused lighting that casts subtle shadows. Text overlays appear in the upper center of the frame, stating: 'have deeply affected my life' and 'invisible to me before.' The camera in the foreground emphasizes the production aspect.
0:21irene sofia lucio quotes
Irene Sofia Lucio is shown in a black and white medium shot, speaking with a contemplative expression. She holds the small black microphone near her chin with her right hand. The background is the familiar light-colored padded wall. Text overlays appear in the upper center of the frame: 'There's a line in the play' and 'that says: 'Until every woman is free,'. The lighting is soft and frontal, emphasizing her focused gaze as she recites the quote.
0:23irene sofia lucio signs playbill
A black and white close-up, low-angle shot focuses on a pair of hands, presumably Irene Sofia Lucio's, signing a "PLAYBILL" brochure on a light-colored wooden table. A dark pen is used to sign. In the background, a book titled 'CLUE' is visible, along with a blurred glass of water and other desk items. The lighting appears to be from an overhead source, creating distinct shadows, emphasizing the act of signing. Text overlays appear in the upper center: 'no woman is free.' The composition draws attention to the physical act of endorsement.
0:26susannah flood constitutional language
Susannah Flood is presented in a black and white medium shot, discussing constitutional language. Initially, she is framed from the chest up, holding the microphone with her right hand. The camera then performs a subtle, slow zoom out to a wider medium shot, revealing more of her body and her left arm, which she uses for expressive gestures. The shot then slowly zooms back in to the initial framing. Text overlays appear in the upper center: 'We could have', 'formal constitutional language', and 'that recognizes women's full'. The background is the textured padded wall. Her expressions are earnest and passionate, highlighted by the soft, diffused lighting.
0:31susannah flood studio shot
This black and white wide shot, taken from behind a professional video camera on a tripod, shows Susannah Flood standing in a photo studio with a pristine white seamless background. The camera's screen displays a live, framed view of her. Studio lights are positioned on the sides, providing soft, frontal illumination that creates subtle highlights on the white backdrop. Text overlay appears in the upper center: 'purchase in their citizenship.' The perspective emphasizes the production setup, with the subject calmly interacting with the recording equipment.
0:35audrey corsa individualism
Audrey Corsa is featured in a black and white medium shot, speaking directly to the camera with a thoughtful and slightly concerned expression. She uses her right hand to gently touch her neck, adjusting her tie, while holding the small black microphone. The background is the light-colored padded wall. Text overlays appear in the upper center: 'Right now,', 'it feels like individualism', and 'kind of rules.' The soft, even lighting emphasizes her facial features and slight hand movement.
0:38audrey corsa studio shot
A wide, low-angle, black and white shot captures Audrey Corsa standing in a professional studio with a white seamless background. In the foreground, a professional video camera on a tripod is positioned, with its screen displaying a live feed of her. Studio lights are visible on either side, providing soft, even lighting that illuminates the scene. Text overlays appear in the upper center: 'And I think we do need', 'a bit more collectivism.', and 'We need to balance'. The framing highlights both the subject and the production equipment.
0:42audrey corsa signs playbill
This black and white close-up, low-angle shot shows Audrey Corsa's hands signing a "PLAYBILL" brochure on a light-colored wooden table. She uses a dark pen. A glass of water is blurred in the background, along with other items on the table. The lighting is soft but distinct, creating clear shadows under her hands. Text overlays appear in the upper center: 'between the individual' and 'and the collective.' The focus is on the meticulous act of signing, with her head partially visible as she leans over the table.
0:45kayla davion on art
Kayla Davion is captured in a black and white medium shot, speaking animatedly. She initially looks to the side, then turns her gaze directly to the camera, using both hands for expressive gestures while holding the small black microphone. The background is the light-colored padded wall. Text overlays appear sequentially in the upper center: 'Theater and art can be imaginative,', 'so I feel like we can define', 'a new future for ourselves', 'if we allow ourselves', and 'to write that future.' The soft, even lighting emphasizes her lively expressions and dynamic hand movements.
0:51kayla davion studio shot
A wide, low-angle, black and white shot shows Kayla Davion standing centrally in a professional studio with a white seamless background. In the foreground, a professional video camera on a tripod is positioned, its screen showing a live feed of her. Studio lights are on either side, providing soft, diffused illumination. During the shot, a dark-skinned hand reaches into the frame from the right, briefly adjusting the microphone positioned near her. Text overlays appear in the upper center: 'We have the ability', 'to really change the landscape', and 'of what we’re envisioning for ourselves'. The scene captures a behind-the-scenes interaction during the shoot.
0:57kristolyn lloyd on asking
Kristolyn Lloyd is featured in a black and white medium shot, speaking with a dynamic range of expressions. She holds the small black microphone with her right hand. The background is the textured padded wall. Text overlays appear sequentially in the upper center: 'if we just try.', 'I hope that women 50 years', 'from now learn', 'to ask for everything,', and 'everything'. Her expression shifts from thoughtful to intense, with wide eyes for emphasis, then closing them briefly, before reopening with a determined gaze. The soft, even lighting highlights her dramatic shifts in emotion.
1:04kristolyn lloyd signs playbill
An overhead, black and white shot captures Kristolyn Lloyd's hands signing a "PLAYBILL" brochure on a light-colored wooden table. A dark-colored smartphone is also visible on the table, along with another dark book. Her hands move with a pen, signing the document. The lighting is somewhat dim, creating soft shadows that add depth to the composition. Text overlay appears in the upper center: 'overask.' The overhead perspective provides a clear view of the signing process and the items on the table.
1:07kristolyn lloyd forgiveness
Kristolyn Lloyd is shown in a black and white medium shot, speaking directly to the camera with a broad, confident smile. She holds the small black microphone in her right hand. The background is the textured padded wall. Text overlays appear in the upper center: 'and if anything, ask for' and 'forgiveness rather than permission.' Her expression is joyful and assured, highlighted by the soft, even lighting.
1:10kristolyn lloyd wink
Kristolyn Lloyd is featured in a black and white medium shot, speaking with a playful and engaging expression. She holds the small black microphone in her right hand. The background is the textured padded wall. Text overlays appear in the upper center: 'Ya'll are' and 'scary and exciting at the same time.' She concludes her statement with a charming wink and a smile, directly engaging with the viewer. The soft, even lighting emphasizes her playful demeanor.
1:12kenneth cole x liberation title card
The scene displays a simple title card on a solid black background. White, bold, sans-serif text is centered on the screen, reading 'KENNETH COLE' above a large 'X', which is then followed by 'LIBERATION' below. The font for 'KENNETH COLE' and 'LIBERATION' is consistent with the initial title card. The lighting is stark, illuminating only the white text against the deep black, creating a high contrast. There are no actions or camera movements. The monochromatic black and white color palette reinforces the serious and impactful theme of the overall message.
1:14purposeful voices message card
The scene displays a message card on a solid black background. White, sans-serif text is centered on the screen, reading 'Purposeful voices' on the first line, followed by 'in support of' on the second, and 'women's equality.' on the third. The text is in a smaller, consistent font. The lighting is stark, illuminating only the white text against the deep black. There are no actions or camera movements. The monochromatic black and white color palette maintains a formal and impactful tone, delivering a clear message to the viewer.
