0:00opening abstract blur
The scene opens with a highly stylized, abstract visual featuring rapidly shifting horizontal bands of color, reminiscent of a distorted VHS tape or corrupted digital signal. The dominant colors are muted greens and browns, with subtle hints of very pale skin tones intermingling. The image is extremely blurry and appears to be heavily processed with a vintage or glitchy video effect, characterized by noticeable static and tracking lines. There's a strong sense of rapid horizontal movement, creating a streaky motion blur that spans across the entire frame. The camera itself is static, but the visual effect imparts an overwhelming impression of extreme speed or a severely damaged video feed, setting a disorienting and unsettling tone from the outset.
0:01woman face close up distorted
A very tight, disorienting close-up shot of a woman's face, specifically focusing on her lower face, including her mouth and chin, with only a portion of her right eye visible at the top. She has long, dark, slightly wavy hair cascading down the right side of the frame. Her lips appear slightly parted, revealing pale pink lipstick. The image is grainy and possesses a distinct greenish tint, strongly reminiscent of a low-light recording or night vision footage, further exacerbated by visible horizontal scan lines and heavy visual distortion. The background is an abstract, swirling blur of green foliage, suggesting an outdoor environment but heavily obscured. Her expression is difficult to discern due to the extreme close-up, distortion, and erratic camera movement, yet the overall impression conveys a sense of urgency, confusion, or distress.
0:03abstract motion blur transition
This scene features a rapid and chaotic transition of abstract motion blur, predominantly characterized by intense streaking and swirling patterns in muted shades of green and brown. The visual is heavily streaked horizontally and vertically, indicating either extremely fast camera movement or a severe digital glitch effect, mirroring the style of damaged vintage video. The colors are earthy, desaturated, and predominantly blend into indistinct forms. The overall image is blurry, chaotic, and disorienting, serving as an abrupt, energetic, and slightly unsettling visual interlude between more discernible shots. There are no identifiable objects, people, or distinct environmental features, only a dynamic and fast-moving palette of colors.
0:04car interior motion blur
The camera is positioned inside a vehicle, capturing a medium shot looking towards the passenger side window and extending towards the rear of the car's interior. The car's interior elements, such as parts of the seat fabric and a section of the door frame, are visible, rendered in muted gray and beige tones. Outside the window, a vibrant green, tree-lined landscape blurs past with extreme rapidity, strongly indicating that the car is moving at a high speed. The exterior view is entirely consumed by motion blur, creating long, streaky lines of green and white. The lighting appears to be natural daylight, but it is somewhat diffused or overcast through the car window. The overall mood conveyed is one of rapid travel, perhaps an escape or urgent journey.
0:05red haired woman driving
A clear medium shot captures a young woman with distinctive, curly red hair, which is styled to frame her face, driving a vehicle. She is seen in a relaxed profile, looking directly towards the right side of the frame with a wide, genuine, and bright smile. Her skin is fair, and she appears to be wearing a simple, light-colored t-shirt, possibly in an olive green or beige shade. The background seen through the car window is a highly motion-blurred expanse of green trees and open fields, strongly suggesting a rural setting and fast vehicular movement. The lighting is natural and bright, casting soft highlights on her cheerful face. Her visibly joyful and carefree expression offers a stark contrast to the overall suspenseful and eerie tone established in other parts of the video.
0:06two women running forest split
This scene is presented in a dynamic split-screen format, horizontally divided into three identical strips, mimicking a vintage film strip or old projection. Each strip shows two women running away from the camera through a dense, green forest. The women are seen from behind; one has long dark hair and wears a black t-shirt and dark leggings, while the other has reddish-brown hair and wears a light t-shirt and dark leggings with a black backpack. The forest floor is covered in dried leaves and sparse undergrowth. Tall, leafy trees with thick canopies fill the background, creating an enclosed and slightly mysterious atmosphere. The lighting is natural but muted, giving the forest an eerie, subdued feel. The running action conveys a strong sense of urgency or flight.
0:07woman forest tickets overlay
An intimate over-the-shoulder medium shot captures the red-haired woman (previously seen driving) as she walks through a dense, lush green forest. She is wearing a light-colored t-shirt and a dark backpack, and her reddish-brown hair is tied back in a ponytail. The scene is dominated by tall trees with thick, vibrant green canopies that filter the sunlight, creating a somewhat shaded and mystical ambiance. The forest ground is covered in fallen leaves and sparse undergrowth. The word 'TICKETS' is starkly overlaid in bold, red, capitalized serif letters, prominently centered in the lower-middle portion of the frame, introducing a jarring textual element that contrasts with the natural setting.
0:07dark interior vague shapes
This scene is characterized by extreme darkness, appearing almost entirely black, with only vague, indistinct, and shadowy shapes barely discernible within what seems to be a very confined interior space. It suggests a view into a deep, unlit room, perhaps a closet or cellar, filmed from a slightly upward, claustrophobic angle. The lighting is practically non-existent, creating profound, oppressive shadows that obscure almost all details. There is a subtle, grainy texture that vaguely suggests wooden planks or an old, dust-laden surface on the right side of the frame. The overwhelming impression conveyed is one of intense claustrophobia, impending mystery, and an eerie sense of the unknown, almost like peering into an abyss.
0:08snake green tint now overlay
The scene is dynamically presented in a split-screen format, horizontally divided into three identical bands. Each band displays a blurry, green-tinted shot of what appears to be a dark, coiled, snake-like object resting on a lighter, textured, indistinct surface. The overall image is dark and notably grainy, imbued with a strong greenish hue that strongly suggests a night vision or low-light filter effect, enhancing its eerie quality. The texture of the surface beneath the object is obscured by blur and low resolution but seems somewhat rigid and uneven. The word 'NOW' is starkly overlaid in bold, red, capitalized serif letters, positioned centrally across the middle strip of the frame, adding an urgent command to the unsettling visual.
0:09person face green get overlay
A disquieting close-up shot of a person's face, heavily processed with a distinct green tint that mimics a night vision camera. The face itself appears pale and somewhat distorted, with large, wide eyes staring intently upwards, creating an unsettling expression. The person's mouth is closed, adding to the enigmatic quality. Faint horizontal lines or visual glitches are visible across the image, suggesting either intentional video distortion or old, decaying footage. The background is a blurry, light-colored surface with subtle vertical stripes, possibly a pillow or bedsheet. The word 'GET' is overlaid in bold, red, capitalized serif letters, prominently centered over the face, injecting a sense of urgency and command into the eerie scene.
0:10forest tickets split overlay
This scene is a visually striking split-screen view, horizontally divided into three identical strips, each displaying a dense green forest environment. The shot is a medium wide shot, showcasing tall trees with lush canopies that create a natural archway, and a forest floor covered in dried leaves and sparse undergrowth. The lighting is natural but notably subdued, contributing to a somewhat dark and mysterious atmosphere. The word 'TICKETS' is conspicuously overlaid in bold, red, capitalized serif letters, prominently displayed in the center strip of the frame, mirroring its previous appearance and adding a cryptic directive to the natural landscape. The image quality is grainy, with a slightly desaturated green palette.
0:12dark interior now split overlay
This scene features an extremely dark interior shot, presented in a split-screen format with three distinct horizontal bands. Each band shows a largely undifferentiated black space, possibly a room, closet, or an enclosed void, with very little to no light present. There are only vague, unidentifiable shapes or textures barely discernible within the profound darkness. The word 'NOW' is powerfully overlaid in bold, red, capitalized serif letters, prominently displayed in the central strip of the frame. The overall impression is one of intense darkness, oppressive mystery, and a commanding sense of urgency imparted by the stark, red text. The lack of detail enhances the unsettling atmosphere.
0:12person campfire darkness
A very dark, wide shot captures a person from behind, sitting or standing in front of a vigorously flickering campfire. Only the person's bare back, shoulders, and arms are distinctly visible, sharply illuminated by the intense orange and red glow emanating from the fire. The remainder of the scene is completely plunged into deep, impenetrable darkness, with only faint hints of sparse foliage or ground texture barely discernible beyond the immediate radius of the fire's light. Small, bright sparks and embers continuously fly upwards from the vibrant flames. The lighting is dramatically warm from the fire, creating a stark and captivating contrast with the cold, surrounding darkness. The mood evoked is primitive, mysterious, and somewhat ominous.
0:13pov running wooden floor
A first-person perspective (POV) shot captured from a low angle, looking directly downwards at light-colored wooden floorboards. These floorboards, appearing to be made of laminate or pale hardwood, are arranged in a horizontal pattern stretching across the frame. The camera exhibits highly erratic movement, shaking, tilting, and moving rapidly forward and backward, strongly suggesting the perspective of someone running, being forcefully dragged, or struggling violently. At the extreme edges of the frame, glimpses of clean white baseboards and the lower sections of light-colored walls are visible, confirming an indoor setting. The lighting is generally dim and ambient, lacking any clear defined source. The intense and disorienting camera motion effectively conveys a powerful sense of panic, desperate movement, or an active pursuit within a confined space.
0:17title card house on eden
This scene presents a static black screen serving as a title card. The title 'HOUSE ON EDEN' is prominently displayed in the center of the frame, rendered in bold, red, capitalized serif letters. The text possesses a subtle, inner glow or a soft, slightly blurred outline, which makes it stand out vividly against the absolute dark background. The chosen font appears classic and carries a slightly unsettling, almost vintage horror aesthetic, perfectly complementing the video's genre. The composition is deliberately minimalistic, featuring only the centered text on a stark black void, thereby allowing the title itself to powerfully convey the intended mood of suspense and fear without any other visual distractions. The stark contrast adds to its impactful presence.
0:18release date call to action
This scene functions as a release date and call-to-action title card, presented on a solid black screen. The text '7.25' is displayed prominently on the top line, followed by 'ONLY IN THEATERS' on the bottom line. Both lines of text are rendered in the same distinctive, bold, red, capitalized serif font, and each character has a subtle glow or outline, identical to the styling of the preceding title card. The text is precisely centered against the plain black background. This minimalist yet impactful composition serves to clearly communicate the movie's release information while maintaining the eerie and stylized aesthetic established by the previous title sequence, encouraging viewers to seek it out. The red text on black reinforces the suspenseful theme.
0:19black screen end
This scene consists of a solid, unadorned black screen, completely devoid of any visual details, text, or graphics. Its purpose is to mark the definitive end of the video content, functioning either as the final shot before a hard cut to black, or a transition into end credits. The lack of any visual information creates a stark and abrupt conclusion, leaving the viewer in suspense or simply indicating the conclusion of the presented narrative. The absence of light or form emphasizes finality and serves as a powerful, understated ending to the visual sequence. The complete darkness is absolute.
