0:00golf course sunrise profile
The scene opens with a close-up profile shot of an older Caucasian man looking towards the right side of the frame. He is wearing a white collared shirt and a white baseball cap with 'Titleist Pro V1' embroidered on it in black. The setting is a lush green golf course, bathed in the warm, golden light of a sunrise or sunset. The sun, partially visible behind him on the left, creates a bright lens flare and backlights his head, casting soft highlights on his hair and the rim of his cap. In the blurred background, another person or a golf cart is faintly visible, emphasizing the depth of field. The overall color palette is warm, dominated by greens, whites, and the golden hues of the sun, conveying a serene and hopeful atmosphere. The camera is static, focusing intently on the man's contemplative expression.
0:01dee anna smith talking head office
A medium shot frames a mature Caucasian woman, Dee Anna Smith, seated and speaking directly to the camera in a modern office environment. She has blonde, shoulder-length hair and is wearing a dark blue blazer over a light green turtleneck. Her expression is serious and professional. The background features large windows looking out onto a cityscape or industrial area, with ample natural light illuminating the scene. To her right, a tall, vibrant green potted plant adds a touch of nature, while a light brown sofa with cushions is visible behind her to the left. The color palette is cool and professional, with blues, greens, and browns. A dark blue lower-third graphic appears at the bottom left, identifying her as 'Dee Anna Smith, CEO, Sarah Cannon Research Institute (SCRI)'. The lighting is bright and even, suggesting an indoor, professional setup.
0:04mike stansbury discussion outdoor
This scene presents a medium shot of Mike Stansbury, a middle-aged Caucasian man, sitting at an outdoor table and conversing with two unseen individuals, whose shoulders and backs are partially visible on either side of the frame in soft focus. Mike has short, grey hair and is wearing a grey quarter-zip pullover. He smiles genuinely as he speaks, conveying warmth and approachability. The background is an outdoor setting, possibly a patio or garden, with blurred greenery providing a soft, natural backdrop. The lighting is bright and even, indicative of daylight. A dark blue lower-third graphic identifies him as 'Mike Stansbury, Stage 4 Cancer Survivor'. The overall mood is positive and engaging.
0:07meredith mckean talking head office
A medium shot captures Meredith McKean, a Caucasian woman with curly brown hair and glasses, speaking thoughtfully to the camera in an office setting. She is dressed in a navy blue blazer over a white blouse. The background is a modern office interior with large windows letting in ambient light, and indistinct office furniture such as a long table and benches in soft focus. The lighting is bright and natural, creating a professional and clear visual. The dominant colors are blues, whites, and muted office tones. A dark blue lower-third graphic identifies her as 'Meredith McKean, MD, Director, Melanoma & Skin Cancer Research, SCRI Medical Oncologist, SCRI Oncology Partners'. The shot is static, maintaining focus on her articulate expression.
0:11meredith mckean close up talking
A tighter close-up shot of Meredith McKean, focusing on her face and upper chest as she speaks. Her curly brown hair and glasses are prominent. She maintains a serious and focused expression, looking slightly off-camera to the right. The background remains the blurred office setting, with a long table and chairs dimly visible, further emphasizing the subject. The lighting is consistent with the previous shot, bright and natural. The color palette is similar, highlighting her blue blazer and the warmth of her skin tone. This shot emphasizes her emotional connection to her words, with the tighter framing drawing the viewer into her message.
0:13mike stansbury medical chair smiling
A medium shot shows Mike Stansbury, the Caucasian man with grey hair, seated in a dark blue medical-style recliner. He is wearing a white polo shirt and is smiling broadly at the camera, projecting a sense of happiness and relief. A small bandage or medical port is visible on his chest, beneath his shirt collar, suggesting a medical context. The background is a plain, light brown wall, with various medical supplies or equipment in plastic containers visible on a shelf to the left, blurred out of focus. Text overlay on the top right reads: 'Thanks to clinical trials, Mike now shows no evidence of disease.' The lighting is soft and even, without harsh shadows. The overall mood is positive and triumphant.
0:14mike stansbury holding cookie cake
A medium shot captures Mike Stansbury, the Caucasian man with grey hair, sitting in a large, comfortable brown leather recliner in what appears to be a home setting. He is wearing a light blue polo shirt and is holding a round, chocolate chip cookie cake with white frosting that spells out 'Chemo no mo' and features three small white golf ball-like decorations. He is smiling warmly at the camera, exuding joy and gratitude. The background consists of a light-colored wall with white trim and a white cabinet or piece of furniture on the right. The lighting is soft and warm, typical of indoor home lighting. Text overlay on the top right reiterates: 'Thanks to clinical trials, Mike now shows no evidence of disease.' The scene's color palette is warm and inviting, dominated by blues, browns, and whites, reflecting a sense of personal celebration.
0:16mike stansbury medical chair thumbs up
A medium wide shot shows Mike Stansbury, the Caucasian man, seated in a dark blue medical recliner in a hospital or clinic room. He is wearing a white polo shirt, black pants, and athletic shoes, and is giving a confident thumbs-up gesture to the camera with his left hand. A white towel rests on his lap. Medical equipment, including an IV pole with a blue bag and a small pump, is visible next to him on the left, along with a rolling side table. To his right, a large window allows natural light into the room, and a yellow medical waste bin is visible in the background. The text overlay 'Thanks to clinical trials, Mike now shows no evidence of disease.' remains on the top right. The lighting is bright and sterile, typical of a medical facility. The color palette includes blues, whites, and yellows, with a clean and clinical feel.
0:18mike stansbury talking head golf course
A medium close-up shot of Mike Stansbury, the Caucasian man, as he speaks directly to the camera. He has grey hair and is wearing a dark blue suit jacket over a plaid collared shirt in shades of blue, red, and white. His expression is earnest and somewhat serious, conveying the gravity of his message. The background is a soft-focus, vibrant green outdoor setting, likely a golf course, with dappled sunlight filtering through the trees. The lighting is natural and bright, creating a pleasant depth of field. The color palette is natural and fresh, with the greens of nature complementing his blue attire.
0:19golf cart driving
A wide shot from the front shows two people, Mike Stansbury and a woman, riding in a dark grey golf cart as it drives down a paved path. The path is surrounded by neatly mown green grass on either side, typical of a golf course. Beyond the grass, lush green trees and bushes form the background under a bright, clear sky. Mike is driving, wearing a white shirt and a white baseball cap, while the woman next to him is wearing a purple top. The camera is static, positioned centrally to capture the golf cart approaching. The lighting is bright daylight, casting soft shadows. The color palette is dominated by greens and blues, creating a peaceful and open atmosphere.
0:21mike and woman in golf cart conversation
A medium shot inside a golf cart shows Mike Stansbury, wearing a white polo shirt and a white cap, leaning against the roof support of the golf cart and talking to a woman sitting next to him. The woman, with blonde hair, is wearing a purple shirt and is looking at Mike, actively listening. The camera is positioned slightly behind and to the side of Mike, looking towards the woman, capturing their interaction. The background shows blurred greenery of the golf course and a hint of a bright sky, bathed in warm, natural daylight. The lighting is soft and even. The colors are predominantly greens, whites, and blues, creating an intimate and personal moment. The shot has a slightly handheld feel, adding to its candid nature.
0:23mike stansbury talking head golf course reprise
A medium close-up shot of Mike Stansbury, identical in framing and setting to the earlier talking head shot at 0:18. He is wearing a dark blue suit jacket over a plaid collared shirt. His expression is now more resolute and determined as he speaks directly to the camera. The background is a soft-focus, vibrant green outdoor setting, likely a golf course, with dappled sunlight filtering through the trees. The lighting is natural and bright. The color palette remains natural and fresh, with greens and blues. This shot reinforces his message with a powerful, direct gaze.
0:24end card hope message
The scene is an animated end card with text and logos against a dark blue to green gradient background. The primary text, 'HOPE', is large, white, and underlined, centered at the top. Below it, in smaller white text, is 'for Mike Stansbury'. Further down, in medium white text, it reads 'Watch the full video now at SCRI.com'. At the very bottom, three logos are horizontally aligned: 'MCKESSON' in white, 'SCRI' in white, and 'Sarah Cannon Research Institute' in smaller white text. The background is a sophisticated gradient, starting with a deep, dark blue on the left and smoothly transitioning to a dark teal/emerald green on the right, creating a sense of depth and professionalism. The text is crisp and clean, ensuring readability. The overall aesthetic is clean, corporate, and hopeful.
