0:00city skyline with text An expansive aerial wide shot captures a bustling city skyline under a partly cloudy sky. The dominant feature is a tall, slender television tower with a spherical observation deck, reminiscent of the Berlin Fernsehturm, standing prominently on the left side of the frame. Numerous buildings, a mix of modern and older architectural styles, stretch across the midground and foreground, interspersed with patches of green urban foliage. The overall color palette is muted, with grey buildings, some hints of brown, and the light blue and white of the sky. Overlaid prominently in the center of the frame is a question in a bold, sans-serif font: 'What should the future of mobility look like?' The words 'future' and 'mobility' are highlighted in a vibrant red, while the rest of the text is white. The camera remains static, providing a clear, high-angle view of the urban landscape.
0:02text overlay expert The scene transitions to a plain white background, dominated by bold, black sans-serif text centered horizontally. Initially, the text reads 'LET'S ASK AN EXPERT'. Shortly after, the word 'FLORIAN' rapidly slides in from the right, replacing 'AN EXPERT' to read 'LET'S ASK FLORIAN'. The text is sharp and clear, providing a direct and simple message. The lighting is even and bright, indicating a clean, minimalist aesthetic. No other visual elements or actions are present. The camera remains perfectly static throughout this brief text-based interlude.
0:05tomtom office building An elevated, wide-angle shot showcases a sleek, modern high-rise building with a glass facade that reflects the bright, hazy sky. The building, identified as 'TomTom Office Berlin, Germany' by a white text overlay near its top, stands tall amidst a backdrop of other urban structures. Below the building, a calm body of water, possibly a canal or river, is visible, flanked by roads and smaller buildings. The overall atmosphere is bright and slightly desaturated, with a cool color palette dominated by the blues and grays of the sky and the building's reflections, and the muted greens of distant trees. The lighting suggests a clear but somewhat overcast day. The camera provides a static, objective view of the corporate architecture.
0:07florian at desk initial A medium shot captures a male figure (Florian) sitting at a desk, partially obscured by two black computer monitors in the foreground. Only his upper face, specifically his forehead, eyes, and the top of his dark hair, are visible between the monitors, suggesting he is intently focused on the screens. He has a short, well-groomed beard. He wears a light grey, possibly hooded, sweater with a cowl neck. The background is a brightly lit modern office space with a large, underexposed window on the left, letting in soft, diffused light. The overall lighting is bright and professional. A white text overlay in the bottom left identifies him as 'Florian Sr Software Engineer TomTom Traffic & Travel'. The camera is static, framing him from a slightly Dutch angle, looking upwards.
0:09florian over shoulder screen This medium shot shows an over-the-shoulder perspective of Florian, focusing on the back of his head and his computer screen. He has dark, neatly styled hair. The computer monitor displays a detailed, colorful map interface, likely showing traffic data with various colored lines and indicators. The screen's light illuminates part of his face. The background, visible beyond his head, is a bright, minimalist office space with white walls and a large window, suggesting an open-plan office. The desk is light-colored. The text overlay 'Florian Sr Software Engineer TomTom Traffic & Travel' remains at the bottom left. The camera is static, capturing his engagement with the data.
0:10florian at desk full face A medium shot frames Florian sitting at his desk, with his full face now clearly visible between two black computer monitors. He has dark hair, a short beard, and a calm, focused expression. He is wearing a light grey hooded sweater with a cowl neck. He looks briefly towards the camera before shifting his gaze back to his screens. The background is a brightly lit, modern office with a large window letting in soft, natural light, creating a clean and professional environment. The overall color palette is bright and neutral. The text overlay 'Florian Sr Software Engineer TomTom Traffic & Travel' remains at the bottom left. The camera is static, providing a clear view of him at work.
0:12florian side profile computer A medium shot presents Florian from a side profile as he sits at a light-colored desk, actively using a computer. His right hand is on a mouse, and his left hand is positioned near the keyboard, indicating he is engaged in an activity on the screen, which displays complex data visualizations, possibly related to mapping or analytics, with various blue, green, and orange graphical elements. A closed laptop is also visible on the desk. He has dark hair and a beard, wearing a light grey sweater. The background is a bright, clean, minimalist office space with white walls. Natural light floods the scene from an unseen source, creating a bright and airy feel. The text overlay 'Florian Sr Software Engineer TomTom Traffic & Travel' is still present at the bottom left. The camera is static.
0:14florian talking window background 1 A medium close-up frames Florian, who is speaking directly to the camera with a thoughtful expression. He has dark hair and a well-groomed beard, and is wearing a light grey hooded sweater with a distinctive cowl neck. The background is a bright, slightly blurred cityscape seen through a large window, featuring a body of water (river or canal), buildings, and a bridge. The natural light from the window softly illuminates his face, creating a clean and bright aesthetic. The overall color palette is bright and cool-toned. A white text overlay at the bottom of the screen reads: 'In my opinion, the future of mobility should be eco-friendly.' The camera remains static, providing an intimate and engaging shot.
0:17aerial car forest A high aerial shot looks straight down onto a narrow, two-lane asphalt road cutting through a dense, dark green forest. A single dark-colored car, possibly grey or black, is moving slowly along the road from the bottom towards the top of the frame. The road is clearly marked with white dashed lines in the center. The surrounding evergreen trees are lush and uniform, creating a pattern of dark green with touches of lighter green. The lighting suggests overcast daylight, with soft, even illumination. The color palette is dominated by deep greens and the dark grey of the road. The text overlay from the previous scene, 'In my opinion, the future of mobility should be eco-friendly.', remains at the bottom of the screen. The camera provides a static, objective overhead view.
0:19electric car charging station A medium shot captures a grey electric vehicle charging station in the foreground, positioned slightly to the left. A black electric car, possibly a Nissan Leaf due to its distinctive headlight shape, is parked behind it and slightly to the right, with its front visible. The car's charging port flap appears open or ready for connection. The background consists of blurred urban buildings with brick facades and some green trees, suggesting a residential or commercial area. The lighting is bright and natural, indicating daylight. The color palette is composed of greys, blacks, and muted greens and browns in the background. The text overlay from previous scenes, 'So, no more burning of fossil fuels and no air or noise pollution.', is present at the bottom of the screen. The camera remains static.
0:21hand plugging in charger A tight close-up shot focuses on a dark-skinned hand as it plugs a black electric vehicle charging cable into a car's charging port. The port is a dark grey plastic housing with a prominent red cap next to the insertion point. The black charging handle is securely inserted into the port. The surrounding area is the sleek, dark grey or black plastic bodywork of the car, with subtle textures visible. The lighting is clear and focused on the action, highlighting the details of the charging mechanism. The color palette is primarily dark greys, blacks, and a striking red accent. The text overlay, 'So, no more burning of fossil fuels and no air or noise pollution.', remains at the bottom of the screen. The camera is static, emphasizing the direct action.
0:24florian talking window background 2 A medium close-up frames Florian, who is speaking directly to the camera with a thoughtful expression. He has dark hair and a well-groomed beard, and is wearing a light grey hooded sweater with a distinctive cowl neck. The background is a bright, slightly blurred cityscape seen through a large window, featuring a body of water (river or canal), buildings, and a bridge. The natural light from the window softly illuminates his face, creating a clean and bright aesthetic. The overall color palette is bright and cool-toned. A white text overlay at the bottom of the screen reads: 'So, no more burning of fossil fuels and no air or noise pollution.' The camera remains static, providing an intimate and engaging shot.
0:25call to action text The scene displays a plain white background with bold, sans-serif text centered horizontally. The text reads: 'Let's create a safer, cleaner congestion-free world' with the word 'together.' highlighted in a vibrant red, ending with a period. The text is sharp and clear, providing a direct call to action. The lighting is uniform and bright, emphasizing the clean, minimalist design. No other visual elements or actions are present. The camera remains perfectly static, focusing solely on the impactful message.
0:27tomtom logo outro The final scene features a plain white background, centrally displaying the TomTom logo. The logo consists of the word 'TOMTOM' in bold, black, sans-serif lowercase letters, followed by a red circular icon depicting two stylized white hands with palms facing each other. The logo has a subtle, almost imperceptible animation or glow, making it feel alive for a brief moment. The lighting is bright and even, consistent with the clean aesthetic of the previous text-based scenes. No other elements are present. The camera remains static, providing a clear, final brand impression.
