0:00mirror selfie intro A young, light-skinned man is visible from the waist up, centered in a large, ornate wooden-framed mirror. He is holding a smartphone up to capture his reflection, positioned just below his face. He is wearing an oversized blue and white plaid button-up shirt and dark wide-leg trousers. His right hand is casually placed on his hip, while his left hand holds the phone. The background, seen through the mirror, shows a minimalist room with light-colored walls, a white door frame on the left, and a living area with a television and light-colored furniture on the right. Natural light illuminates the scene, casting soft shadows. The overall color palette is muted with blues, whites, and dark wood tones. Text overlay on the bottom reads 'Come with me for a day at NYFW'.
0:02mirror selfie outfit details A medium-close up shot of the man's torso and face, reflected in a large mirror. He is still wearing the blue and white plaid shirt and dark trousers. His right hand is seen adjusting the front of his shirt, showcasing the fabric and fit, while his left hand holds the smartphone, which is partially visible. The background is a slightly closer view of the room, with the white door and a glimpse of the living area. The lighting remains bright and even, highlighting the details of his clothing. The scene's mood is casual and focused on styling. Text overlay on the bottom reads 'To start off, I threw on this plaid COS button up'.
0:05mirror selfie full outfit The man is shown in a full-body reflection within the ornate mirror. He is wearing the blue and white plaid shirt and wide-leg dark trousers, along with dark shoes. He poses with his left hand holding the smartphone up, obscuring his face slightly, and his right hand on his hip. The room behind him is visible in the reflection, with the white door, light walls, and a section of a living room with a TV stand and a light-colored couch. The floor is light wood. The lighting is bright and natural. Text overlay on the bottom reads 'and dress trousers with my handy Citizen ATTESA watch and I was out the door for'.
A low-angle shot from the man's perspective, looking up at his face. His chin is tilted slightly upwards, and his eyes are looking directly into the camera. He is wearing the blue plaid shirt. The background is a plain, light-colored ceiling. The lighting is soft and even. This brief shot gives a sense of anticipation or readiness. Text overlay at the bottom right reads 'a packed schedule of presentations, appointments and dinners in the city'.
0:09walking city street pov A dynamic, first-person point-of-view shot as the man walks along a city sidewalk. The camera is held out, showing his left arm in the blue plaid shirt and a black shoulder bag. He wears white wired earbuds. To his left is a gas station with blue and white branding, and to his right, a street with cars and distant city buildings under a clear blue sky. The sunlight is bright, creating clear shadows. The action involves continuous walking. The color palette features urban grays, blues from the sky and shirt, and touches of red from the gas station. Text overlay at the bottom continues the previous sentence.
Inside a New York City subway car, looking out the window as the train is in motion. The frame shows the interior of the train car, including a 'Do not hold doors' sign, and reflections in the window. Outside, a blurred view of city buildings and infrastructure can be seen. Other passengers are partially visible, including one wearing a light-colored hoodie and a blue face mask. The lighting is bright, with sunlight streaming in through the windows. The scene captures the fast-paced, everyday commute. Text overlay at the bottom continues the narrative.
0:13cityscape from subway A clear view of the New York City skyline from a subway window, likely crossing a bridge. Tall buildings, both modern and older brick structures, line the distant horizon, with a body of water (the East River) in the mid-ground. The foreground is dominated by the structural elements of the bridge, including thick cables and steel beams, partially obscuring the view. The sky is bright and clear blue. The lighting is natural and vibrant. The scene emphasizes movement and scale, portraying the vastness of the city.
A highly reflective, distorted selfie taken inside an elevator. The man is looking down, his face and upper body visible, reflected in the elevator's polished metal wall or mirror. The metallic ridges of the elevator walls create a striped, abstract pattern around him. He is still wearing the blue plaid shirt and holds the phone up. The lighting is internal to the elevator, a cool, even light. Text overlay at the bottom reads 'I popped into the office to finalize our content strategy for the shows, grabbed'.
The man exits a silver elevator, walking into a modern office lobby with light wooden floors. He is carrying a black shoulder bag and smiling slightly. Another person, partially visible and blurred, is also exiting the elevator behind him. The walls of the lobby are plain light gray. A panel with elevator buttons is visible on the right. The lighting is bright and office-like. Text overlay at the bottom continues the previous narrative.
0:17coffee preparation A close-up, overhead shot of a Keurig-style coffee machine dispensing coffee into a white paper cup. A male hand, wearing a silver ring and a dark wristwatch with a metal band, holds the cup in place. To the right of the machine, a clear glass jar filled with numerous white coffee pods is visible. The countertop is clean and white, with a gray tiled backsplash. The lighting is bright and functional. Text overlay at the bottom reads 'coffee and published a few stories about the upcoming'.
A medium shot of the man sitting at a white desk in an office, typing on a silver laptop. He is wearing the blue plaid shirt. To his right, there's a white coffee cup, a small snack bar, and a pile of magazines or books. The background features large windows looking out onto city buildings and a clear blue sky, with some greenery visible. Brick walls add an industrial touch to the office space. The lighting is bright and natural, coming from the windows. The scene conveys a busy, productive atmosphere. Text overlay continues from the previous scene, 'collections on our site ahead of the busy week'.
0:22street walk to soho A first-person point-of-view shot of the man walking on a busy city sidewalk. His left arm, in the blue plaid shirt, and his black shoulder bag are visible in the foreground as he holds the camera. He wears white wired earbuds. The background shows historic brick buildings with ornate architecture, bustling streets with pedestrians, and parked bicycles. The sky is bright and clear, and the strong sunlight creates distinct shadows. The scene has a lively, urban feel. Text overlay reads 'Then, I hit the streets and headed to the SoHo Grand for a quick bite'.
An overhead shot of a table setting featuring a plate of crispy french fries served in a metal holder, with two small bowls of ketchup. Next to it, a tall glass of dark soda with a lemon slice and straw. A hand, wearing a silver ring and a dark wristwatch, dips a fry into the ketchup. The table has a distinctive patterned surface with geometric shapes in brown and gold tones. The background is blurred, showing a glimpse of an upholstered chair and luggage, suggesting a hotel or restaurant setting. The lighting is soft and inviting. Text overlay reads 'The fries there are some of the best in the city'.
0:27drinking diet coke A medium close-up shot of the man, looking slightly upwards and to the right, sipping from a tall glass of dark soda with a lemon slice and straw. He is wearing the blue plaid shirt, and a silver ring is visible on his right hand. The background is blurred, showing a window frame and warm, diffuse lighting, suggesting an indoor, relaxed setting like a cafe or restaurant. His expression is thoughtful and calm. Text overlay reads 'and for better or worse a Diet Coke is a must'.
0:29in car checking watch The man is seated in the back of a car, seen from the side, looking out the window as the vehicle moves. He is wearing the blue plaid shirt and a dark wristwatch on his left wrist. He then turns his gaze to his watch, checking the time. The car's interior is dark. Outside the window, blurred city street scenes, including buildings and a passing vehicle, are visible. The lighting is a mix of ambient light from outside and the darker interior. Text overlay reads 'My first stop of New York Men's Day, where an ensemble'.
0:33fashion show models A group of six diverse models, all male, standing casually in a well-lit modern building lobby or event space. They are showcasing various contemporary menswear outfits, including oversized jackets, cargo pants, and statement jewelry. One model on the far left wears a gray shirt and shorts. Another in the center has prominent curly hair and wears a black vest. Their poses are relaxed yet stylish. The background features a glass facade and modern interior architecture, with blurred outdoor city elements. The lighting is bright and natural. Text overlay reads 'of impressive menswear designers showcased their latest pieces'.
A tall, bald male model with dark skin, wearing sunglasses, a black and white leather jacket (unzipped, revealing his chest), and black trousers, stands next to a luxury car (partially visible in the foreground). He has tattoos on his chest. The background is a stark red wall, providing a dramatic contrast to his outfit and the car. The lighting is studio-like, highlighting the model and the car. The scene is edgy and fashion-forward.
0:37mannequins colorful outfits Two mannequins are displayed, showcasing vibrant, flowing garments. The mannequin on the left wears a long, open-front orange robe and a multi-colored turban. The one on the right wears a similar long, open-front blue robe and a bright yellow and green turban. Both mannequins are light-skinned and display abstract facial features. They stand in a modern, brightly lit interior, possibly a showroom or event space, with a white wall and a glass window in the background. The scene highlights bold colors and unique designs.
0:38models walking plaid Three models, all with large, curly hair and intricate headwraps, walk past a branded banner. The model in the foreground, with dark skin, wears a blue and grey plaid, oversized tunic-style dress with short sleeves and a V-neck, paired with a matching plaid tote bag. A blue headwrap matches her outfit. She moves with a confident, deliberate stride, looking directly at the camera. The background includes a large black and white geometric wall design and other models. The lighting is bright and even. Text overlay reads 'I thought this plaid silhouette was particularly great, the Collina Strada'.
0:40models outdoor runway A group of models walk down an outdoor runway or paved area, with a body of water and the Manhattan Bridge visible in the background under a clear sky. The lead model has bright pink, spiky hair and wears an elaborate, off-white and pink layered gown, paired with light green sneakers. Another model behind her wears a black slip dress. The models walk with deliberate, confident strides. The late afternoon sunlight casts long shadows. The scene highlights an artistic and avant-garde fashion show against an iconic city backdrop. Text overlay reads 'show offered a fashionable commentary on our shadows'.
0:43food display table A beautifully arranged table laden with a variety of food items and decorative baskets. In the foreground, stacks of soft pretzels are prominently featured. Other items include fruit baskets filled with grapes, corn, and other produce, small dishes of appetizers, charcuterie, and colorful sweets (some with blue and red accents). The table surface is wood, partially covered by a plaid fabric. The lighting is warm and ambient, suggesting an evening event or gathering. The scene emphasizes an abundant and artful presentation of food. Text overlay reads 'At Kate Walls, the food presentation was spectacular'.
A male DJ is positioned behind a wooden table setup, actively mixing music at a party. He wears a white t-shirt with a dark vest over it and headphones. On the table are various DJ equipment, including turntables and a mixer. Two large, light-colored wooden speaker boxes with exposed drivers are placed on the floor beneath the table, flanked by tripods. Red cups are on the table. The background features a large window looking out onto a dark city night with blurred lights. Indoor plants are visible. The lighting is dim and atmospheric, with spotlights on the DJ. Text overlay reads 'A DJ sets some delicious vibes'.
An overhead close-up shot of various fabric textiles laid out on a light-colored wooden table. The fabrics display a mix of patterns and textures, including blue plaid, yellow plaid, black and white geometric prints, lace, and solid colors. A small, black tambourine with silver jingles rests on one of the fabric swatches. The arrangement suggests a creative workshop or design display. The lighting is even and bright. Text overlay reads 'and her textiles were equally scrumptious'.
0:49dinner with friends A dynamic shot of a group of people enjoying dinner at a restaurant. The camera quickly moves across the table, showing various individuals engaged in conversation and dining. In the foreground, a woman with long dark hair, wearing a white blazer, is seen talking and gesturing. Plates of pasta and other food are on the table, along with wine glasses and candles, creating a warm, inviting atmosphere. The restaurant interior features light walls and wooden banquettes. The lighting is dim and intimate, with light from the candles and overhead fixtures. Text overlay reads 'and they closed out the night at a lovely dinner with Vanessa Carder'.
0:53mirror selfie outro The young man is back in the initial mirror setting, captured in a full-body reflection. He is wearing the same blue and white plaid shirt and dark trousers. He holds his smartphone up with his left hand and makes a peace sign with his right hand, looking at the camera. The background is his apartment living space, visible in the reflection, with the white door and light furniture. The lighting is bright and natural, consistent with the opening scene. Text overlay reads 'Thanks for joining me'.
A black screen with white text centered, reading 'IN PARTNERSHIP WITH' followed by 'CITIZEN' in a larger, bold, sans-serif font. The text is static and clear, with no other visual elements.
A black screen with white text centered, reading 'HYPEBEAST' in a large, bold, sans-serif font. The text is static and clear, with no other visual elements.
