0:00Woman at baggage claim, selfie
A medium close-up selfie shot features a young adult woman standing in an airport baggage claim area. The camera is held by the woman, showing her upper body and face directly. She has long, straight brown hair, with large, black-framed sunglasses perched on her head. She is wearing a long-sleeved brown crew-neck sweatshirt with a distressed white graphic print on the front. A light pink hard-shell carry-on suitcase, with its silver telescopic handle extended, is visible in the lower-left foreground, being held by her left hand. Her right arm is extended, holding the camera in a typical selfie pose. Her facial expression is a slight, open-mouthed smile as she looks directly into the camera. In the background, a large, grey, circular baggage carousel with metallic rollers is visible, mostly empty. A yellow sign with the number '11' hangs above the carousel. The floor is covered in a speckled grey carpet. Fluorescent lighting from the ceiling provides bright, even illumination with soft shadows. The overall color palette is muted, featuring greys, browns, and metallic tones, with the pink suitcase providing a soft accent. A white text overlay at the bottom reads: 'let's talk about MY WORST FEAR TRAVELLING WITH 3 TODDLERS'.
0:02Feet on bus, woman looking out bus window
This scene rapidly transitions between two distinct perspectives. The first shot is a low-angle point-of-view (POV) of a person's feet, clad in white sneakers with black stripes and light-wash jeans, stepping onto the textured grey and yellow striped floor of what appears to be a bus. The yellow strips feature partially visible text, including 'WELCOME ABOARD'. The next shot is a profile view of the same young adult woman from the previous scene, now seated inside a vehicle, likely a bus or shuttle, gazing intently out a large window. Her long brown hair is down, and the black-framed sunglasses remain on her head. Outside the window, a brilliant, clear blue sky with a few faint white clouds dominates the upper half of the frame, while a vast, dry, tan and light brown landscape stretches below. The interior of the vehicle is comparatively darker, creating a contemplative and calm mood. The dominant colors are the vivid blue of the sky and the warm, earthy tones of the landscape, contrasted with the cooler greys and yellows of the bus interior and the woman's brown attire. A white text overlay states: 'I'm traveling solo for the first time today since having kids'.
0:04Escalator ride
This scene is a composite of two quick shots depicting an escalator journey. The first is a low-angle point-of-view (POV) shot looking down at a person's feet, encased in white sneakers with black stripes and blue light-wash jeans, standing on the moving steps of an airport escalator. The escalator steps are a dark grey with bright yellow warning stripes along their edges. A light pink hard-shell carry-on suitcase with an extended silver handle is positioned to the right of the feet. The second shot is a medium close-up selfie of the young adult woman from previous scenes, riding the same escalator upwards. She is smiling broadly and looking directly at the camera, with her brown hair flowing down and the black-framed sunglasses still on her head. She wears the same brown sweatshirt and light-wash jeans, and is holding the pink suitcase with her left hand, which appears in the lower-left portion of the frame. The background briefly shows the metallic and glass walls of the escalator, with hints of the wider airport terminal. The lighting is bright and even, likely from overhead fluorescent lights, creating reflections on the metallic surfaces. The dominant colors are the industrial greys and yellows of the escalator, contrasted with the woman's warm brown attire and the cheerful pink of her luggage. A white text overlay reads: 'and it made me think about how different things are now as a mom'.
0:07Woman at baggage claim, smiling
This scene presents a medium close-up selfie of a young adult woman standing in an airport baggage claim area, similar to the initial shot but with different text. The camera is held by the woman, capturing her upper body and face directly as she smiles. She has long, straight brown hair, with large, black-framed sunglasses resting on her head. She is attired in a long-sleeved brown crew-neck sweatshirt featuring a distressed white graphic print on the front. A light pink hard-shell carry-on suitcase, with its silver telescopic handle extended, is prominently displayed in the lower-left foreground, held by her left hand. Her right arm is outstretched, holding the camera for the selfie. Her facial expression is a pleasant, confident smile, and her gaze is directed straight into the camera. In the background, a large, grey, circular baggage carousel with metallic rollers is visible, appearing largely empty. The floor is covered in a speckled grey carpet. Bright, even fluorescent lighting from the ceiling illuminates the area. The dominant colors include muted greys, warm browns, and metallic accents, with the light pink suitcase providing a soft contrast. A white text overlay at the bottom reads: 'I could never do this now'.
0:09Airport security process
This scene is a fast-paced, multi-shot montage illustrating the airport security process from a first-person point of view. The first shot shows a hand rolling a pink suitcase past a dark blue 'TSA Pre' sign and other travelers in a bustling airport terminal. The second shot is a low-angle POV looking down at the traveler's feet, clad in white sneakers with black stripes and light-wash jeans, standing in a security line on a light grey tiled floor that subtly sparkles. The third shot focuses on a hand with pink nail polish pushing the pink hard-shell suitcase onto a grey security conveyor belt. The final shot provides a close-up of the pink suitcase, now resting inside a grey security tray, moving through an X-ray scanner, with the translucent top of the scanner visible above it. The environment is uniformly well-lit by fluorescent overhead lighting. The predominant color scheme features various shades of grey and white, accented by the vibrant pink of the suitcase and glimpses of blue from airport signage. White text overlays sequentially read: 'but I used to travel without data and cell service' and then 'I went on cruises without my phone for a week'.
0:13Escalator ride, talking about old travel habits
This scene is a two-shot sequence that reinforces the theme of past travel experiences. The first shot is a medium close-up selfie of the young adult woman, smiling confidently at the camera while ascending an escalator. Her long brown hair is down, and the black-framed sunglasses remain on her head. She is wearing a brown sweatshirt and light-wash jeans, holding the pink suitcase in the lower-left of the frame. The background is a blur of metallic escalator walls and general airport interior. The second shot is a low-angle point-of-view (POV) looking down at the traveler's feet, in white sneakers with black stripes and light-wash jeans, standing on the moving escalator steps. The steps are dark grey with bright yellow warning stripes. A pink hard-shell carry-on suitcase is positioned next to the feet. The lighting is bright and even from overhead fluorescent lights. The dominant colors are the industrial greys and yellows of the escalator, contrasted with the woman's warm brown attire and the distinct pink of her luggage. White text overlays change from 'We were so afraid of roaming charges' to 'we would turn our phones off the entire trip'.
0:16Airport coffee and escalator
This scene quickly transitions from a close-up of a beverage to an escalator selfie, adding a new element to the travel sequence. The first shot is a close-up of a person's hand with light pink nail polish, reaching to pick up a transparent plastic cup filled with ice and a vibrant green matcha-like drink. The cup sits on a white countertop next to a white paper bag, presumably from an airport cafe. A pink suitcase is visible, blurred, in the background. The second shot is a medium close-up selfie of the young adult woman from previous scenes, now riding an escalator upwards. She is smiling directly at the camera, holding the green drink in her right hand and the pink suitcase in her left. Her brown hair is down, and sunglasses are on her head. The background shows the blurred interior of the airport. The lighting is bright and even. The color palette is fresh and modern, combining the bright green of the drink, the cheerful pink of the nails and suitcase, with the clean whites of the countertop and the warm browns of her clothing. A white text overlay states: 'But now as a mom one of my biggest fears when traveling with three toddlers'.
0:18Airport interior and exterior
This scene features two distinct wide shots showcasing different aspects of an airport environment. The first shot is an eye-level wide view looking down a busy airport concourse. Numerous people, some with luggage, are walking in various directions. The ceiling is white with integrated recessed lighting fixtures. Large rectangular digital signs hang prominently from the ceiling, one displaying 'Live Your' and an image, another clearly marking 'B29 Nashville'. The floor is covered in a speckled grey carpet. The lighting is uniformly bright and evenly distributed by the fluorescent lights. The second shot transitions to a wide view of an airport tarmac, seen from inside the terminal through a large window. Several commercial airplanes, notably a United Airlines plane and Southwest Airlines planes, are visible on the ground, along with various ground support vehicles and personnel. In the distance, a tall, slender white air traffic control tower stands against a clear, brilliant blue sky. The sunlight is strong and clear. The dominant colors in this scene are the expansive blues of the sky, the clean whites and greys of the airport infrastructure, punctuated by the distinctive colorful liveries of the aircraft. A white text overlay states: 'is being outnumbered by kids'.
0:20Walking through airport hallways
This scene is composed of three rapid point-of-view (POV) shots, all depicting movement through airport corridors. The first shot is a low-angle POV looking down at a person's feet, clad in white sneakers with black stripes and light-wash jeans, as they roll a pink hard-shell suitcase along a grey patterned carpet. The second shot transitions to a medium close-up selfie of the young adult woman from previous scenes, walking along a modern airport jet bridge or hallway. She has a slight smile, looking towards her left off-camera, while she rolls the pink suitcase with her left hand. Her brown hair is down, and she wears the familiar brown sweatshirt and light-wash jeans. The third shot returns to a low-angle POV, looking forward as the pink suitcase is pulled along the long, narrow, dark grey carpeted floor of an airport jet bridge. White walls and sleek silver handrails line the corridor. The lighting throughout is bright and consistently even, likely from overhead fixtures. The color palette is dominated by muted greys and whites, with the pink suitcase providing a distinct, soft pop of color. White text overlays change from 'in an unfamiliar place or in an emergency' to 'I cannot imagine getting lost or in a challenging situation'.
0:23Onboard plane and takeoff
This scene is a rapid sequence of five distinct shots related to being on an airplane and experiencing takeoff. The first is a low-angle point-of-view (POV) looking forward, showing a hand with pink nail polish pulling a pink suitcase down the narrow aisle of a commercial airplane, past the legs of seated passengers. The second shot is a view through an oval airplane window, showcasing a blue and white United Airlines plane on the tarmac, with a distinct air traffic control tower in the distance, all set against a clear, bright blue sky. The third is a slightly wider shot from the airplane window, emphasizing the vast airport tarmac and the prominent control tower. The fourth shot focuses on the plane's wing and engine, with other aircraft visible on the tarmac. The final shot is a dynamic view from the airplane window during takeoff, where the plane's wing and engine are clearly visible in the foreground, and the ground features (such as fields and roads) blur rapidly as the plane accelerates and ascends into a clear blue sky. The lighting is consistently bright sunlight. The dominant colors are the vivid blue of the sky, the pristine white of the aircraft, and the earthy beige/brown tones of the landscape below. White text overlays change from 'and not being able to use my phone or data' to 'and that's why'.
0:27Simify app introduction, flight view
This scene dynamically overlays a digital display of the 'Simify' website's main page onto a live-action shot from an airplane window. The background captures the airplane's wing against a vast, clear blue sky, with a flat, light brown agricultural landscape visible far below, suggesting the plane is cruising at altitude. The Simify website overlay, contained within a distinct white rectangular frame with prominent yellow branding, occupies the central portion of the screen. The website displays the headline 'Unlimited data overseas without fees' and offers various travel eSIM options like 'Global', 'Europe & UK', and 'Japan', each accompanied by a representative image. The overall lighting is bright and natural, originating from the airplane window, creating a serene backdrop. The color palette harmoniously blends the natural blues of the sky and the earthy browns of the landscape with the clean white and vibrant yellow of the digital interface. A white text overlay appears in the lower center, stating: 'I want to make sure you all know about Simify's eSIM plans'.
0:30Simify install step 1, flight view
This scene continues the digital overlay presentation, featuring a specific step of the 'Simify' app installation against an airplane window backdrop. The background displays a clear, bright blue sky with a few delicate white wisps of clouds, as seen from an airplane window, with the plane's wing partially visible in the lower right corner. Overlaid centrally on this natural scene is a white rectangular graphic box titled '1. Check your device & purchase'. The box includes a stylized icon of a smartphone with a green checkmark, and provides concise instructions: 'Make sure your device is eSIM compatible. Then choose your destination and grab a data plan that suits your trip.' Below this, a button reads 'Check device compatibility'. The lighting is bright and airy, typical of a sunny day at cruising altitude. The color palette elegantly combines the expansive blue of the sky with the clean white and subtle yellow accents of the digital overlay. A white text overlay is positioned at the bottom of the screen, stating: 'no physical SIM card needed'.
0:31Simify install step 2, pouring drink
This scene cleverly combines a digital overlay with a close-up action shot, demonstrating a simple process while explaining the app. The background shows a person's hand pouring liquid from a red 'Diet Coke' can into a vibrant blue plastic cup filled with ice. The cup and can are resting on a white airplane tray table. A pink hard-shell suitcase is visible, blurred, in the background, suggesting the context of travel. Overlaid prominently on this action is a white rectangular graphic box titled '2. Follow the installation steps'. The box features an icon of a QR code displayed on a phone screen, and text instructions read: 'Follow the quick steps to install your eSIM on your device. It only takes a few minutes.' The lighting is bright and even, likely from overhead cabin lights. The color palette is lively, incorporating the distinct blue of the cup, the red of the soda can, and the clean white of the overlay, all set against the warm skin tones of the hand and arm. A white text overlay explains: 'just purchase online and pre install so it's ready to go when you land'.
0:33Simify install step 3, walking in airport
This scene merges a digital overlay with a dynamic low-angle point-of-view (POV) shot, maintaining the travel narrative. The background shows a person's feet, clad in white sneakers with black stripes and light-wash ripped jeans, actively walking on an airport floor. The floor transitions from a dark grey patterned carpet to yellow warning stripes, indicative of an entrance to a bus or jet bridge. A light pink hard-shell carry-on suitcase is being rolled alongside the feet. Overlaid centrally on this moving background is a white rectangular graphic box titled '3. Activate when you land'. The box features an icon of a plane taking off and provides key information: 'You'll be connected in no time – no roaming fees, no physical SIM swaps.' It also includes a clickable button that reads 'Learn more about how to activate'. The lighting is bright and even, casting subtle reflections on the floor. The color palette prominently features the blue and yellow from the overlay, set against the greys, yellows, and the soft pink of the suitcase in the background. A white text overlay at the bottom states: 'Simify plans have unlimited data'.
0:35Simify plans and competitive pricing
This scene provides an overview of 'Simify' data plans and their competitive pricing, achieved by overlaying digital content onto a dynamic airport setting. The background is a low-angle point-of-view (POV) shot of a person rolling a pink hard-shell suitcase through a bustling airport terminal. Other travelers are visible in the background, walking past airport signage. The airport floor is a light grey tile. A screenshot of the 'Simify' website, specifically 'Our Best-Selling Unlimited Data Plans', is overlaid centrally. This displays various eSIM packages such as 'Unlimited Japan eSIM', 'Unlimited USA, Canada & Mexico eSIM', and 'Unlimited South East Asia eSIM', detailing features like unlimited data, validity period, and pricing. This then transitions to another Simify screen showing a data plan selection table, listing plans by duration (e.g., 90, 60, 45, 30, 21, 15, 7 days) and their corresponding costs in AUD. The movement of the person and other travelers in the background contrasts with the static digital information. The lighting is consistently bright and fluorescent. The color scheme blends the cool greys of the airport with the clean white and vibrant yellow of the Simify interface. White text overlays sequentially read: 'and you can choose from over 100 countries or regions' and then 'The prices are competitive and so much lower than the 10 to 15 dollars per day'.
0:40Price comparison of data plans
This scene graphically compares data plan costs by overlaying digital advertisements onto a close-up point-of-view (POV) shot. The background is a low-angle shot looking down at a pink hard-shell carry-on suitcase being rolled across a light grey tiled airport floor. Overlaid prominently on this moving background are two white rectangular graphic boxes. On the left, a 'Simify' price list is displayed, showing various data plans with different durations and their respective costs in AUD. On the right, a 'Verizon TravelPass' advertisement is shown, featuring text that states: 'Your wireless plan travels just like you with unlimited data*, talk and text. $12/day in 210+ countries and destinations.' The Verizon ad includes a background image of a blue sky with clouds. The lighting is bright and even, illuminating the tiled floor and the suitcase. The color palette is dominated by clean whites and greys, the soft pink of the suitcase, and hints of blue from the Verizon ad's sky graphic. A white text overlay at the bottom reads: 'your provider may charge'.
0:41Hotel scenes with Verizon comparison
This scene is a rapid montage of three distinct hotel settings, each featuring an overlay of the 'Verizon TravelPass' advertisement. The first shot is a low-angle wide shot of the modern exterior of the 'FAIRLANE HOTEL'. The building boasts large windows and a clean, contemporary design, set against a clear blue sky. The Verizon ad is discreetly overlaid in the sky portion of the frame. The second shot transitions to an interior view of the hotel, looking through an open glass door into a stylish lobby characterized by warm wood paneling, dark accents, and light-colored marble or stone surfaces. The Verizon ad is centrally overlaid within this shot. The third shot is a wide view inside a well-appointed hotel room, showcasing a large bed with crisp white linens and a dark headboard. A vibrant green, textured accent chair sits in the corner, and casual clothing items are draped loosely on the bed. The Verizon ad is overlaid near the top-center of this frame. The lighting varies across the shots, from bright natural sunlight on the hotel exterior to warm, inviting interior lighting within the lobby and room. The color palette is rich, featuring natural wood tones, deep greens, and clean whites, providing a sophisticated backdrop for the blue and white overlay of the advertisement. White text overlays sequentially read: 'your provider may charge' and then 'don't wait till you land with three toddlers and no service'.
0:45City street with Simify promotion
This scene depicts a lively city street on a bright, sunny day, with a 'Simify' logo and promotional text overlaid. The background features a multi-story red brick building with various storefronts, including one marked 'Valentine'. Numerous pedestrians are visible, walking along the wide sidewalk. The young adult woman from the earlier airport scenes is clearly identifiable in the middle ground, dressed in her brown sweatshirt, light-wash jeans, and white sneakers, carrying a black backpack, and rolling her pink suitcase. Initially, she is seen walking away from the camera. In the latter part of the shot, she turns to face the camera, offering a bright smile. The lighting is strong, natural sunlight, creating clear contrasts and distinct shadows from the buildings and people. The color palette is vibrant, with the deep red brick, clear blue sky, and diverse colors worn by the pedestrians, all contributing to a bustling urban atmosphere. The 'Simify' logo (a yellow icon with black text) and promotional text are displayed within a white rectangular box in the upper center, reading: 'use code KELSEYE15 for 15% off'.
0:48City skyline with Simify promotion
This scene presents a wide, panoramic view of a city skyline under a clear, bright blue sky, with a 'Simify' logo and promotional text overlaid. In the foreground, two flags are prominently displayed, waving gently in the breeze: a large American flag and a smaller blue flag featuring a white logo. Directly behind these flags, older red brick buildings with multiple stories line the streets. In the mid-ground and background, a modern, tall, dark grey skyscraper with a distinctive, pointed, spired roof dominates the city's architectural landscape, rising majestically into the sky. The sky above is intensely blue and free of clouds. The 'Simify' logo (a yellow icon with black text) and promotional text are displayed within a white rectangular box in the upper center of the frame, stating: 'use code KELSEYE15 for 15% off'. The lighting is sharp, natural sunlight, creating clear contrasts and highlighting the architectural details. The color palette is striking, defined by the vibrant blue of the sky, the rich red of the brick buildings, and the clean whites and blues of the flags, complemented by the cool, modern grey tones of the skyscraper.
