0:00framed swiss army knife
A close-up, centered shot reveals a small, approximately 2-inch long, worn red Swiss Army knife with visible white markings and scratches, indicative of prior use. It features a small metallic key ring at one end. The knife is meticulously displayed against a dark blue matboard, which itself is encased within a rectangular picture frame crafted from natural cork, providing a rustic and textured aesthetic. A small, shiny brass plaque with barely legible engraved text is affixed to the bottom edge of the frame. The entire framed piece is presented against a clean, bright white background, casting a soft, subtle shadow beneath it, suggesting it's floating. At the top of the screen, the bold black text "FRAMEBRIDGE" is displayed, centered horizontally. Below this, within a horizontal black bar, is the white question "SWISS ARMY KNIFE?", which is then replaced by "We've framed that" in a dark gray serif font. The lighting is soft and even, highlighting the textures and details.
0:01framed contact sheet
A striking medium shot centers on a framed piece of artwork, transitioning from the previous scene. The artwork is a square black and white photographic contact sheet, showcasing multiple small negative images, primarily featuring an exterior shot of a building. This contact sheet is mounted on a clean white matboard. The matboard is then enclosed by a distinctive square frame that has a dark, possibly black, background adorned with a vibrant, stylized floral pattern. The flowers are depicted in warm orange/peach tones and cool teal/green foliage, creating a bold contrast. The entire framed object is set against a pure white background, casting a soft, diffused shadow beneath it, giving an illusion of depth. The text "FRAMEBRIDGE" remains at the top, while the question in the black bar changes to "CONTACT SHEET?". Below this, "We've framed that" slides into view. The lighting is bright and even, highlighting the details of the frame and the monochrome contact sheet.
0:02framed finger painting
The scene changes to a vibrant, abstract finger painting, positioned centrally within a simple, rectangular, bright red wooden frame. The painting itself is a playful composition on a white background, featuring organic swirls and bold splatters of light blue, soft yellow, burnt orange, and black paint, with visible texture from the paint application. The red frame provides a striking border to the energetic artwork. Like previous scenes, the framed piece is displayed against a clean, bright white background, generating a subtle, soft shadow underneath. At the top of the frame, the text "FRAMEBRIDGE" is prominently displayed. The question in the black bar below it transitions to "FINGER PAINTING?", followed by the appearance of "We've framed that" in a dark gray serif font. The lighting is consistent, providing a clear and shadow-free view of the artwork and its frame.
0:04framed sonogram
A new framed object appears, centered on the white background. This time, it's a grayscale sonogram image, clearly depicting a fetal profile. The sonogram includes visible medical data, numbers, and a date (12-10-2014) on its upper and lower borders. The image is set within a narrow white matboard, which is then elegantly enclosed by a sleek, rectangular, silver-colored metallic frame. The frame has a slightly brushed or matte finish, suggesting a modern and refined aesthetic. The consistent white background and soft, diffused shadow remain. The text "FRAMEBRIDGE" is at the top, and the black bar now displays the question "SONOGRAM?". Below it, "We've framed that" appears. The lighting is uniform, ensuring all details of the sonogram and the frame are clearly visible without harsh glare.
0:06framed national park patches
The scene shifts to a meticulously arranged display of five colorful embroidered national park patches, centered within a dark brown wooden rectangular frame. The patches are mounted on a clean white matboard. The top row features three distinct patches: a Yellowstone patch (yellow and brown, with a bison graphic), a Joshua Tree patch (depicting a desert landscape), and another dark green patch with a bear graphic. The bottom row consists of two circular patches: a Grand Canyon patch (red and orange, showcasing a canyon scene) and an Arches National Park patch (blue, featuring an arch formation). Each patch is intricately detailed and vibrant. The dark brown wooden frame has a classic, smooth finish. The framed piece rests against the familiar bright white background, casting a gentle shadow. "FRAMEBRIDGE" is at the top, and the text in the black bar changes to "NTL. PARK PATCHES?". Below it, "We've framed that" slides into place. The lighting is even and soft, highlighting the textures and colors of the embroidered patches.
0:08framed baby footprints
A sweet and sentimental framed piece is now centered: a print of two baby footprints in dark gray ink on a white rectangular card. Below the footprints, a handwritten signature and the date 'Dec 2014' are visible. This card is carefully mounted on a textured matboard, which appears to be a light brown, tightly woven fabric, adding a cozy, tactile quality. The entire arrangement is enclosed by a simple square frame made of natural, light-colored wood, beautifully showcasing its subtle grain. The framed object is presented on the consistent bright white background, complete with its soft, diffused shadow. The top text "FRAMEBRIDGE" remains, while the black bar now displays the question "BABY FOOTPRINTS?". Subsequently, "We've framed that" appears. The lighting is even and gentle, ensuring the delicate details of the footprints and the textures of the frame and mat are clearly visible.
0:10framed fishing pins
The final framed object in this sequence is presented: a rectangular black shadow box frame showcasing three vintage-style circular fishing license pins. The pins are precisely arranged side-by-side on a dark brown, textured fabric matboard. Each pin features distinct colors (red, black, teal) and engraved text, indicating years (e.g., '1959,' '1976,' '1987') and locations (e.g., 'PENNSYLVANIA,' 'LENAREE COUNTY,' 'STOCKING FIELD & STREAM'). A small, polished brass plaque is affixed to the bottom edge of the frame, bearing the engraved text "Grandpa's Fishing Licenses". The black frame has a clean, modern finish. This framed display is centered on the familiar bright white background, casting a soft, consistent shadow. "FRAMEBRIDGE" is displayed at the top, and the black bar now shows the question "FISHING PINS?". Below it, "We've framed that" appears. The lighting is even, allowing the details and vintage aesthetic of the pins to stand out.
0:12call to action text
The scene transitions to a full-screen, minimalist display with bold, dark gray text against a soft, pale yellow background. The background has a very subtle, almost imperceptible, fabric-like texture, adding a touch of warmth. The word "FRAMEBRIDGE" is positioned towards the top left, aligned left, in a clean sans-serif font. Below it, slightly larger and also left-aligned, is the call-to-action text "Inspired yet? Start framing." presented in a more traditional, elegant serif font. The composition is clean and uncluttered, designed to draw attention to the message. The lighting is bright and even across the entire frame. No physical objects or frames are visible in this scene.
