0:00Da Vinci drawing close-up
An extreme close-up of a red chalk drawing of an elderly man's face, filling most of the vertical frame. The drawing features prominent wrinkles, a large nose, and a thick beard, rendered in a warm, reddish-brown hue against a light, textured background that resembles aged paper. The visible texture of the paper adds depth to the artwork. Lighting appears soft and diffused, highlighting the contours of the face without harsh shadows. The overall color palette is monochromatic, dominated by shades of reddish-brown and beige. In the top-left corner, 'the Henry Ford' logo is displayed within a red square with white text.
0:01Da Vinci Exhibition title wall
A medium shot of a warmly lit wall displaying the exhibition title. The wall has a textured, sandy-beige color. The primary focus is the exhibition logo 'DaVinci' in a stylized, handwritten script with 'THE EXHIBITION' printed beneath it in a smaller, sans-serif font. The 'D' in DaVinci is integrated with a spiral design and a grid-like geometric sketch, suggesting artistic and scientific principles. The text is a dark, reddish-brown color, contrasting gently with the lighter wall. A soft, warm spotlight illuminates the text from above, creating a pleasant glow. In the top-left corner, 'the Henry Ford' logo is present in its characteristic red square. The overall mood is sophisticated and inviting.
0:02Mona Lisa close-up and eye zoom
This segment features an extreme close-up of the Mona Lisa's face, revealing the intricate crackled texture of the aged oil paint. The camera initially frames her eyes and nose, with her iconic subtle smile just visible at the bottom. The color palette is dominated by warm ochre and brown tones, characteristic of Renaissance paintings. The lighting is even, illuminating the entire surface and emphasizing the delicate brushwork and the time-worn surface of the masterpiece. The camera then performs a slow, subtle push-in towards her right eye (viewer's left), eventually zooming to an extreme close-up of just that eye, allowing the viewer to discern the individual cracks and pigments. 'the Henry Ford' logo remains consistently in the top-left corner.
0:04The Last Supper detail pan
The camera slowly pans across a detailed section of Leonardo da Vinci's 'The Last Supper' painting. The shot focuses on the mid-section of the painting, showcasing several disciples seated around a long, white table. The figures are depicted with varied expressions and gestures, conveying dynamic interaction. The color palette is rich with muted greens, blues, oranges, and browns, typical of Renaissance religious art, though slightly desaturated and aged. The paint surface exhibits some texture and age. The lighting is soft and naturalistic, appearing to come from the upper left, casting gentle shadows across the figures. The Henry Ford logo is displayed in the top-left corner throughout the pan.
0:06Vitruvian Man reveal
The scene begins with a slightly washed-out, almost ghostly white line drawing of the Vitruvian Man, centered against a bright, hazy white background. As the scene progresses, the drawing gains definition and color, transitioning into a sepia-toned illustration with more visible texture, resembling aged parchment. Intricate, faded geometric and mechanical sketch lines, reminiscent of Da Vinci's notebooks, subtly overlay and frame the Vitruvian Man, suggesting the breadth of his intellectual pursuits in engineering and art. The lighting shifts from bright and ethereal to a warmer, more grounded illumination. 'the Henry Ford' logo is constant in the top-left corner.
0:08Museum exhibit mannequin and invention
This shot provides a medium view inside a museum exhibition. In the foreground on the left, a white mannequin dressed in a full white suit with a hood, large dark goggles, and a breathing apparatus stands next to an information display. The background features warm, dark brown walls. To the right of the mannequin, a large, intricate wooden model of a machine, possibly an early invention or prototype, is displayed. The model is made of dark wood, with visible gears and structural elements. Overhead spotlights create focused pools of light, illuminating the exhibits and adding dramatic contrast. A subtle, hazy light effect appears to move across the scene, adding a dynamic element. 'the Henry Ford' logo is in the top-left corner.
0:09Museum exhibit wide shot
A wide shot captures a spacious museum hall filled with various models of Da Vinci's inventions. The hall features polished wooden floors and dark walls, creating an elegant and immersive environment. Several wooden replicas of Da Vinci's designs, such as a large flying machine with rotating wings, a wheeled cart, and smaller mechanical devices, are strategically placed throughout the space. The models are crafted from dark, natural wood, showcasing mechanical ingenuity. Overhead track lighting casts warm, focused beams onto the exhibits, highlighting their intricate details and creating appealing areas of light and shadow. Textual information panels are visible on the walls in the background. 'the Henry Ford' logo is in the top-left.
0:11Da Vinci Exhibition title wall reprise
A reprise of the warmly lit wall displaying the exhibition title. The wall has a textured, sandy-beige color. The primary focus is the exhibition logo 'DaVinci' in a stylized, handwritten script with 'THE EXHIBITION' printed beneath it in a smaller, sans-serif font. The 'D' in DaVinci is integrated with a spiral design and a grid-like geometric sketch. The text is a dark, reddish-brown color, contrasting with the lighter wall. A soft, warm spotlight illuminates the text from above. In the top-left corner, 'the Henry Ford' logo is visible in a red square with white text. This scene quickly transitions from the previous museum shot, reinforcing the exhibition's branding.
0:11Final title card with Mona Lisa and details
A dark, almost black screen serves as the background for the final promotional information. At the top, the Mona Lisa's face is centrally positioned, her enigmatic smile and crackled texture illuminated by a warm, golden light that seems to emanate from behind her, creating a subtle halo effect. Below her, the 'DaVinci THE EXHIBITION' logo is displayed prominently in white text, with the stylized 'D' and accompanying grid. Further down, the words 'Now Open' appear in a bright gold font, followed by 'HENRY FORD MUSEUM OF AMERICAN INNOVATION®' in white. At the very bottom, smaller logos for 'AUREA EXHIBITIONS' and 'Imagine' are present. The 'the Henry Ford' logo is in the top-left. The overall effect is striking and informative, designed to capture attention and provide key event details.
